X

Grace: A Memoir

Product ID : 16047643


Galleon Product ID 16047643
Model
Manufacturer
Shipping Dimension Unknown Dimensions
I think this is wrong?
-
2,342

*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown

Pay with

About Grace: A Memoir

Product Description Beautiful. Willful. Charming. Blunt. Grace Coddington’s extraordinary talent and fierce dedication to her work as creative director of Vogue have made her an international icon. Known through much of her career only to those behind the scenes, she might have remained fashion’s best-kept secret were it not for The September Issue, the acclaimed 2009 documentary that turned publicity-averse Grace into a sudden, reluctant celebrity. Grace’s palpable engagement with her work brought a rare insight into the passion that produces many of the magazine’s most memorable shoots.   With the witty, forthright voice that has endeared her to her colleagues and peers for more than forty years, Grace now creatively directs the reader through the storied narrative of her life so far. Evoking the time when models had to tote their own bags and props to shoots, Grace describes her early career as a model, working with such world-class photographers as David Bailey and Norman Parkinson, before she stepped behind the camera to become a fashion editor at British Vogue in the late 1960s. Here she began creating the fantasy “travelogues” that would become her trademark. In 1988 she joined American Vogue, where her breathtakingly romantic and imaginative fashion features, a sampling of which appear in this book, have become instant classics.   Delightfully underscored by Grace’s pen-and-ink illustrations, Grace will introduce readers to the colorful designers, hairstylists, makeup artists, photographers, models, and celebrities with whom Grace has created her signature images. Grace reveals her private world with equal candor—the car accident that almost derailed her modeling career, her two marriages, the untimely death of her sister, Rosemary, her friendship with Harper’s Bazaar editor-in-chief Liz Tilberis, and her thirty-year romance with Didier Malige. Finally, Grace describes her abiding relationship with Anna Wintour, and the evolving mastery by which she has come to define the height of fashion.   NAMED ONE OF THE BEST BOOKS OF THE YEAR BY FINANCIAL TIMES“If Wintour is the Pope . . . Coddington is Michelangelo, trying to paint a fresh version of the Sistine Chapel twelve times a year.”—Time From Booklist Coddington, creative director of the American Vogue magazine, has much to impart (which she has done before in Grace: 30 Years of Fashion at Vogue, 2002, and The Catwalk Cats, 2008). Fashionistas, rejoice, because not only does she chronicle the life and times of a former model turned editor; she also discusses those whose names appear in any celebrity column—photographers such as Annie Leibovitz and Bruce Weber, models like Naomi Campbell, and the Calvin Klein and French couture maîtres. What saves this from becoming a download of the activities of the rich and famous is, first, her amazing candor. We learn, for instance, that marriages don’t agree with her, that her sister Rosemary died of a combination OD–hospital malfeasance issue, and that editor-in-chief Anna Wintour is not as portrayed in The Devil Wears Prada. And, second, her charming and lively pen-and-ink illustrations grace every chapter—and almost every page. Just what you would ask for from a revered behind-the-scenes magazine editor is what you get here. --Barbara Jacobs About the Author Grace Coddington lives in New York City and Long Island with her partner, Didier Malige, and their two cats, Bart and Pumpkin. Excerpt. © Reprinted by permission. All rights reserved. i On Growing Up In which the winds howl, the waves crash, the rain pours down, and our lonely heroine dreams of being Audrey Hepburn. There were sand dunes in the distance and rugged monochrome cliffs strung out along the coast. And druid circles. And hardly any trees. And bleakness. Although it was bleak, I saw beauty in its bleakness. There was a nice beach, and I had a little sailboat called Argo that I used to drift about in for hours in grand seclusion when it was