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Selling Beauty: Cosmetics, Commerce, and French Society, 1750–1830 (The Johns Hopkins University Studies in Historical and Political Science)
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About Selling Beauty: Cosmetics, Commerce, And French
Product Description Morag Martin’s history of the cosmetic industry in France examines the evolution of popular tastes and standards of beauty during the late 18th and early 19th centuries. As the French citizenry rebelled against the excesses of the aristocracy, there was a parallel shift in consumer beauty practices. Powdered wigs, alabaster white skin, and rouged cheeks disappeared in favor of a more natural and simple style. Selling Beauty challenges expectations about past fashions and offers a unique look into consumer culture and business practices. Martin introduces readers to the social and economic world of cosmetic production and consumption, recounts criticisms against the use of cosmetics from a variety of voices, and examines how producers and retailers responded to quickly evolving fashions. Martin shows that the survival of the industry depended on its ability to find customers among the emerging working and middle classes. But the newfound popularity of cosmetics raised serious questions. Critics―from radical philosophes to medical professionals―complained that the use of cosmetics was a threat to social morals and questioned the healthfulness of products that contained arsenic, mercury, and lead. Cosmetic producers embraced these withering criticisms, though, skillfully addressing these concerns in their marketing campaigns, reassuring consumers of the moral and physical safety of their products. Rather than disappearing along with the Old Regime, the commerce of cosmetics, reimagined and redefined, flourished in the early 19th century, as political ideals and Enlightenment philosophies radically altered popular sentiment. Review "Selling Beauty is a well-written and impressively researched book." (Jennifer M. Jones H-France) "This book makes a scholarly and critical contribution to histories of the consumer revolution, commercial culture, and gender." (John Shovlin American Historical Review) "A well-researched analysis." (Pieter Francois) "Martin's study valuably contributes to the recent wealth of scholarship on the eighteenth-century consumer market." (Katharine Hamerton Journal of Modern History) "Well-written and enjoyable." (Jennifer Heuer European History Quarterly) "An important contribution to the history of fashion." (Tijl Vanneste European Review of History) "An impressively wide-ranging and well-researched study of an important element of the new ‘consumer’ society of late 18th- and early 19th-century France, which will be welcomed by French historians, historians of women and gender, as well as historians of material culture and consumption." (Clare Crowston, University of Illinois) About the Author Morag Martin is an associate professor of history at the College at Brockport, State University of New York.
