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The Lost Books of Jane Austen

Product ID : 42659091


Galleon Product ID 42659091
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About The Lost Books Of Jane Austen

Product description Hardcore bibliography meets Antiques Roadshow in an illustrated exploration of the role that cheap reprints played in Jane Austen's literary celebrity―and in changing the larger book world itself. In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. Packed with nearly 100 full-color photographs of dazzling, sometimes gaudy, sometimes tasteless covers, The Lost Books of Jane Austen is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers. Informed by the author's years of unconventional book hunting, The Lost Books of Jane Austen will surprise even the most ardent Janeite with glimpses of scruffy survivors that challenge the prevailing story of the author's steady and genteel rise. Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity. Review "Barchas is indeed the ultimate Austen book hunter, and we are the grateful recipients of her obsession." ( Austenprose - A Jane Austen Blog) "Over the last 25 years, amid the releases of various screen adaptations imagining new lives for her novels, the critical conversation around Jane Austen has been much occupied with the diverse responses of her diverse reading communities: academic and popular, elite and fan-based. Janine Barchas's exuberantly illustrated study, The Lost Books of Jane Austen, rides this wave with panache." (Kathryn Sutherland New York Times) "Janine Barchas leads her readers on a journey into the bibliographically uncharted land of unidentified reprints and cast-off mass-marketed paperbacks to discover who was reading Austen and when and why. As a study of packaging and design, it is lavishly illustrated, but that is a mere bonus to the author's brilliant thesis and erudite delivery. Even if Austen isn't your cup of tea, this volume will change the way you think about publishers and readers. It's a landmark in the scholarship of book history." (Rebecca Rego Barry Fine Books & Collections) "For all the Janeites on your list, reach for The Lost Books of Jane Austen... it's a fascinating, richly illustrated study of what we can learn from the numerous popular editions of Austen's novels that appeared during the 19th and 20th centuries." (Michael Dirda The Washington Post) "In addition to the vivid reproductions and Barchas' careful narrative of Austen's publishing history, The Lost Books of Jane Austen connects surviving cheap editions with their owners, and Barchas shares what she's found of their histories. It makes for an unexpectedly personal touch in this scholarly tome – one that makes you feel that any copy of Austen's work you have has value to history, and by extension, you do, too." (Robert Faires The Austin Chronicle) "... a beautifully illustrated exploration, indeed compendium, of the popular editions of Austen's novels that have appeared over the last two centuries... The lesson of this delicious book is that [Jane Austen] was even more popular for even longer with an even greater variety of readers than we ever thought." (John Mullan The Guardian) "A major new work by Janine Barchas, an outstanding critic both of Jane Austen and of book history. The Lost Books of Jane Austen is cogent and persuasive." (Peter Sabor,