Busks, Basques and Brush-Braid: British dressmaking in the 18th and 19th centuries

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About Busks, Basques And Brush-Braid: British Dressmaking

Product Description The dressmaking trade developed rapidly during the 18th and 19th centuries, changing the lives of thousands of British workers. Busks, Basques and Brush-Braid focuses on the trade and the people within it, from their working conditions and earnings to their training, services and relationships with customers. Exploring the lives of dressmakers in fact and fiction, the book looks at representations of the trade in the plays and novels of the time, while surveying the often harsh realities of the workers' lives. From the arrival of the sewing machine to the influence of the department store, it explores the impact of mechanization, commercialization and modernity on a historical trade. Pamela Inder illuminates a new world of dressmaking enabled by goods like paper patterns and magazines, and sets out to investigate the increasing monopoly of female dressmakers in an industry once dominated by male tailors.Drawing on a range of original and hitherto unpublished sources – including business records, diaries, letters, bills and newspaper articles – Busks, Basques and Brush-Braid reveals the untold story of the dressmaking trade. Beautifully illustrated with over 80 images, the book brings dressmakers into focus as real people, granting new insights into working class life in 18th- and 19th-century Britain. Review “This is a beautifully researched and compelling text that draws the reader into the world of the 18th- and 19th-century dressmaker. Numerous though they were, the work of these seamstresses has been, until now, a hidden history. Pam Inder shines a light into the shadows of their workrooms in this important study.” ―Kate Strasdin, Falmouth University, UK“This study is a treasure of detailed research from primary sources: it ably illustrates a long-standing gig economy for women, and evidences their individual humanity, through the amazing detail of their lives and work.” ―Jean L. Druesedow, Kent State University Museum, USA About the Author Pam Inder is an independent scholar and was formerly Curator of Applied Arts at first Exeter and then Leicestershire Museums (specialising in dress history), after being an Assistant Curator at Birmingham City Art Gallery. She later taught at Staffordshire and De Montfort Universities.