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About The Fall Of Gondolin
Product Description #1 NEW YORK TIMES BESTSELLER In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar. Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs. Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo. At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources. Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days. Review "An essential historical reference for Middle-earth fans . . . For enthusiasts, these glimpses into the burgeoning interconnectedness of Tolkien’s fiction are fascinating . . . Deep-lore delvers . . . will be rewarded with a thorough understanding of one of modern fantasy’s seminal works." —Entertainment Weekly “As with the posthumously published ‘The Children of Húrin’ and ‘Beren and Lúthien,’ this entry has been painstakingly and, clearly, lovingly edited by his son and literary executor Christopher Tolkien. Taking place long before the events of ‘The Hobbit’ and ‘The Lord of the Rings,’ the books fill in the historical record of those better-known stories . . . In detailing this vital — and indeed tragic — tale of Middle-earth lore, ‘The Fall of Gondolin’ provides everything Tolkien’s readers expect . . . With apologies to Westeros, Narnia and whatever the Star Wars universe is called, Middle-earth stands as the most immersive and detailed fictional realm of our own age because of the different languages Tolkien — master philologist that he was — invented to describe it. Spending time in Middle-earth provides an opportunity to revel in his etymological derring-do . . . ‘The Fall of Gondolin’ demonstrates yet again that Middle-earth boasts its own rich cosmology and history . . . [Christopher Tolkien’s] stewardship of his father’s legacy has been a tremendous success.” —Washington Post “ The Fall of Gondolin
