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The Meursault Investigation: A Novel

Product ID : 10480293


Galleon Product ID 10480293
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About The Meursault Investigation: A Novel

Product Description Best Translated Novel of the Decade – Lit HubA New York Times Notable Book of 2015 — Michiko Kakutani, The Top Books of 2015, New York Times — TIME Magazine Top Ten Books of 2015 — Publishers Weekly Best Books of the Year — Financial Times Best Books of the Year“A tour-de-force reimagining of Camus’s The Stranger, from the point of view of the mute Arab victims.” —The New Yorker   He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach.                 In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him. A stranger among his own people, he wants to be granted, finally, the right to die.                 The Stranger is of course central to Daoud’s story, in which he both endorses and criticizes one of the most famous novels in the world. A worthy complement to its great predecessor, The Meursault Investigation is not only a profound meditation on Arab identity and the disastrous effects of colonialism in Algeria, but also a stunning work of literature in its own right, told in a unique and affecting voice. Review A New York Times Notable Book of 2015 — Michiko Kakutani, The Top Books of 2015, New York Times — TIME Magazine Top Ten Books of 2015 — Publishers Weekly Best Books of the Year — Financial Times Best Books of the Year"[A] rich and inventive new novel...so convincing and so satisfying that we no longer think of the original story as the truth, but rather come to question it...[a] letter of love rebellion and despair for Algeria." —The New York Times Book Review“Nothing…prepared me for [Daoud’s] first novel, The Meursault Investigation, a thrilling retelling of Albert Camus’s 1942 classic, The Stranger, from the perspective of the brother of the Arab killed by Meursault, Camus’s antihero. The novel...not only breathes new life into The Stranger; it also offers a bracing critique of postcolonial Algeria... The premise is ingenious: that The Stranger, about the murder of an unnamed Arab on an Algiers beach, was a true story…Meursault is less a critique of The Stranger than its postcolonial sequel.” —The New York Times Magazine"[A] stunning debut novel…[A]n intricately layered tale that not only makes us reassess Camus’s novel but also nudges us into a contemplation of Algeria’s history and current religious politics; colonialism and postcolonialism; and the ways in which language and perspective can radically alter a seemingly simple story and the social and philosophical shadows it casts backward and forward.” —Michiko Kakutani, The New York Times“A tour-de-force reimagining of Camus’s The Stranger, from the point of view of the mute Arab victims.” —The New Yorker“[A] retelling of Albert Camus’s classic The Stranger from an Algerian perspective...[this] debut novel reaped glowing international reviews, literary honors, and then, suddenly, demands for [Daoud’s] public execution.” —New York Times   “Daoud has said that his novel is an homage to Albert Camus’s The Stranger, but it reads more like a rebuke...Where Camus’s godless prose is coolly mathematical in its ratio of words to meaning, Daoud’s work conducts waves of warmth. The sand and the sea and the sky and the stars, which, for Camus, seem to negate life rather than affirm it, are, for Daoud, vital witnesses and participants in his existence.” —NewYorker.com  "Kamel Daoud's remarkable debut novel isn't simply a postcolonial reimagining but an allegory of his own country and time...[The Meursault Investigation] has the magnetism of its forebear, but its themes of voi