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But for one thing, this has the makings of a classic. Pierre Boulez's recent Bartok recordings with the Chicago orchestra have been standard-setting. And Jessye Norman couldn't be better equipped, vocally and dramatically, to sing Judith. She doesn't disappoint: Her grand temperament suits her character's aggressively curious nature while her increasingly dark lower range is put to good use in conveying the awe and horror of what she finds while probing her husband's past. Polgar is also alert to the dramatic turns of Bluebeard. However, Boulez seems a bit less involved--less coloristically attuned to the score than in past Bartok recordings. But this CD is still of great interest. --David Patrick Stearns