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The Making of Outlander: The Series: The Official Guide to Seasons Three & Four
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About The Making Of Outlander: The Series: The Official
Product Description See how the story of Jamie Frasier and Claire Beauchamp Randall comes to life on the screen with this official, photo-filled companion to the third and fourth seasons of the hit Starz television series based on Diana Gabaldon’s bestselling Outlander novels. From its very first episode, the Outlander TV series transported its viewers back in time, taking us inside Diana Gabaldon’s beloved world. From the Scottish Highlands to the courts of Versailles to the shores of America, Jamie and Claire’s epic adventure is captured in gorgeous detail. Now travel even deeper into the world of Outlander with this must-have insider guide from New York Times bestselling author and television critic Tara Bennett. Picking up where The Making of Outlander: Seasons One & Two left off, this lavishly illustrated collectors’ item covers seasons three and four, bringing readers behind the scenes and straight onto the set of the show. You’ll find exclusive interviews with cast members, including detailed conversations with Caitriona Balfe and Sam Heughan (on-screen couple and real-life friends), as well as the writers, producers, costume designers, set decorators, technicians, and more whose hard work and cinematic magic bring the world of Outlander to life on the screen. Every page features gorgeous full-color photographs of the cast, costumes, and set design, including both official cast photography and never-before-seen candids from on set. The Making of Outlander: Seasons Three & Four is the perfect gift for the Sassenach in your life—and the only way to survive a Droughtlander! About the Author Tara Bennett is a New York Times bestselling author and entertainment journalist. As an author or co-author she’s written more than thirty official movie and TV companion books including Sons of Anarchy: The Official Collector’s Edition, The Official Making of Big Trouble in Little China, Fringe: September’s Notebook, the impending official history of Marvel Studios, and many more. Tara Bennett is also a senior producer and podcast host for Syfy Wire, a U.S. editor for SFX magazine, and a feature writer for Sci Fi magazine and Total Film. She is a TCA member and an adjunct professor of radio, television, and film at Rowan University. Excerpt. © Reprinted by permission. All rights reserved. Building Season Three: Writing There are things that every show shares—the long hours, the rewrites, and the difficulty of location scouting, to name a few. But what the creative team on Outlander discovered after two seasons is that their show will always be a beast to produce, no matter how well oiled the machine they’ve created. Diana Gabaldon’s books get more ambitious with each entry in the series, featuring multiple time lines, changing eras, exotic locales, and an everexpanding ensemble. For the adaptation of Voyager as Outlander’s third season, the biggest decision executive producers Ron D. Moore, Maril Davis, Matthew B. Roberts, and producer David Brown made was to leave Scotland and relocate to South Africa for the last half of the season, a huge undertaking for any series to make. “Every year we try to come in more prepared,” Maril Davis explains. “There’s nothing better than having material early, but you can never prepare for the unexpected. Season three—perhaps at first we underestimated. We thought that, certainly, the move to South Africa would be daunting, but I don’t think we realized how daunting it all would be.” “For instance, in the first half of season three, which I think is some of the best work we’ve done, we underestimated how difficult that would be, to do several different time periods,” David Brown continues. “We had Claire back in the forties, fifties, sixties. Then, we had Jamie back in the 1700s. There were so many hair [issues]. Certainly, for Gary [Steele] and his team, it was an immense hurdle to have to keep changing the Boston apartment for each decade.” Although Outlander adopted cross
