The Colors of Nature: Subtropical Gardens by Raymond Jungles

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About The Colors Of Nature: Subtropical Gardens By

Product Description In exquisite gardens inspired by the lush native plants of his adopted home of Miami, landscape artist/architect Raymond Jungles uses nature as a means of self-expression. He is known for modernist groupings of geometric shapes, which highlight the natural aspects of plantings, water features, and native stone. His use of plants, drawn largely from those indigenous to subtropical regions, emphasizes their dramatic sculptural forms. Jungles's original and inviting green spaces, like those of his mentor, the master landscape architect Roberto Burle Marx, bring the comfort and beauty of nature into built settings. This monograph on the work of Raymond Jungles features more than 20 residential projects. From a rooftop garden 34 stories in the air to a natural setting of ponds and islands surrounding a 1920s residence to an informal green space in the Pearl Islands of Panama, Jungles constructs vibrant spaces that complement the natural environment. His modern vocabulary is on display in beautiful color photographs that document each landscape in both panoramic views and intimate details. Jungles's own descriptions of each garden address the process of making the landscape as well as the design elements that tie each composition to common experiences of nature. Review "For a bold, magical garden that turns heads, draw inspiration from a book by landscape guru Raymond Jungles." —Charlyne Varkonyi Schaub, Sun Sentinal"Raymond uses his palette of subtropical indigenous plants as an artistic tool to create his magical and natural garden spaces . . . This book is a true inspiration and a treasure for all designers." —Nicolien van Schouwen, Association of Professional Landscape Designers About the Author Raymond Jungles is the founder and principal of Jungles Landscape Architect in Miami, Florida. Terence Riley is the director of the Miami Art Museum. He was formerly a chief curator at the Museum of Modern Art, New York. The author lives in Miami, FL. Excerpt. © Reprinted by permission. All rights reserved. Foreword By Terence Riley Perhaps because of its subtropical climate, unique within the North American continent, the Florida landscape is often seen as a separate and distinct chapter in the national fascination with the natural landscape. Yet the same dialectic between European gardening traditions and New World fascination with the wild is at play. Vizcaya, James Deering's Miami estate, was patterned after a grand Italianate villa with attendant formal gardens. While greatly admired, Vizcaya has been far less often imitated as Florida's landscape designers have instead chosen nature-or at least idealized visions of tropical nature—as their prime source of inspiration. Raymond Jungles, thoroughly entranced by the wild, is one such landscape designer. The intensity with which he approaches his task is related, no doubt, to his exposure to the work and philosophy of the Brazilian artist and designer Roberto Burle Marx (1909–1994). Burle Marx was part of the generation of designers and artists who brought into being in Brazil a vibrant modern culture that has surpassed its European roots and achieved a distinct national character. Perhaps more so than his colleagues, such as the architects Oscar Niemeyer and Lúcio Costa, Burle Marx's innovations achieved a singular distinction, if only because the raw material of his profession—the incomparable flora of Brazil—had no equivalent in Europe or North America. Burle Marx's ability to combine the sensibility of a gardener with that of an abstract modern sculptor is evident in his words: “A garden is a complex of aesthetic and plastic intentions; and the plant is, to a landscape artist, not only a plant—rare, unusual, ordinary or doomed to disappearance—but it is also a color, a shape, a volume or an arabesque in itself.” It was in Burle Marx's work that the young Jungles, a student landscape designer raised primarily in the Midwest, found not only