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Going on Faith: Writing As a Spiritual Quest
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About Going On Faith: Writing As A Spiritual Quest
Product Description In the new edition of this deeply felt book, nine American writers and thinkers from different points on the religious compass discuss how their work is nourished by spiritual concerns. Diane Ackerman explains why she calls herself a "messenger of wonder" and how, in her own observations of the natural world, "there is a form of beholding that is a kind of prayer." Frederick Buechner makes an intensely personal journey to his roots as a novelist. Allen Ginsberg describes how his poetry is grounded in the Buddhist renunciation of "hand-me-down conceptions" and the meditative practice of "letting go of thoughts." Other contributors include David Bradley, Mary Gordon, Patricia Hampl, Hillel Levine, Hugh Nissenson, and Jaroslav Pelikan. Amazon.com Review Going on Faith is an expanded version of Spiritual Quests (1988), a collection of essays--originally a New York Public Library lecture series about religious writing--by David Bradley, Frederick Buechner, Mary Gordon, Hugh Nissenson, Allen Ginsberg, and Jarozlav Pelikan. This new edition coincides with what the book's editor, William Zinsser, calls "a new interest in matters of the spirit." Its list of contributors has grown to include Hillel Levine ("a Jewish writer talking out of a lifelong spiritual search"), Diane Ackerman ("a writer who finds religion everywhere except in churches"), and Patricia Hampl (who explores "the life of religious contemplation"). Mary Gordon's thoughts about the effect of her Roman Catholic upbringing on her fiction writing (for example, Final Payments) are among the book's highlights. "Regular attendance at Mass," she claims, was "an excellent training ground ... for an aspiring novelist"--and not just because of the resemblance between the form the Mass takes and the form a novel takes. "An hour a day in a confined space like a church, where one has the leisure or the boredom to observe others of one's kind when they imagine themselves to be in private communion with their deepest souls," says Gordon, "is as useful for a prospective novelist as a wiretap." In his essay, Frederick Buechner (Godric) contemplates the similarities between faith and fiction. "You fashion your story," Buechner says, "as you fashion your faith, out of the great hodgepodge of your life--the things that have happened to you and the things you've dreamed of happening." But perhaps what faith and fiction "have most richly in common," says Buechner, "is that they are a way of paying attention." Not all of the book's contributors are traditionally devout. Hugh Nissenson professes to make a religion of his atheism. David Bradley, who comes from a long line of Methodist preachers, claims writing as his religion. And Diane Ackerman (A Natural History of the Senses) doesn't believe in God. Nevertheless, she says, "even without an organized religion or a church I often find myself in a position of praise or prayer.... I also find myself constantly going on pilgrimages and quests." --Jane Steinberg Review This collection is joyous. A spur to discussions of the ephemeral boundaries between things sacred and things esthetic -- Chicago Tribune This is a favorite book of mine -- Anne Lamott, author of Traveling Mercies and Bird by Bird About the Author William Zinsser has written 15 books including On Writing Well, now in its sixth edition. He teaches at the New School in New York City and speaks at schools and universities around the country.
