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About Shroud
Product Description One part Nietzsche, one part Humbert Humbert, and a soupcon of Milton’s Lucifer, Axel Vander, the dizzyingly unreliable narrator of John Banville’s masterful new novel, is very old, recently widowed, and the bearer of a fearsome reputation as a literary dandy and bully. A product of the Old World, he is also an escapee from its conflagrations, with the wounds to prove it. And everything about him is a lie. Now those lies have been unraveled by a mysterious young woman whom Vander calls “Miss Nemesis.” They are to meet in Turin, a city best known for its enigmatic shroud. Is her purpose to destroy Vander or to save him—or simply to show him what lies beneath the shroud in which he has wrapped his life? A splendidly moving exploration of identity, duplicity, and desire, Shroudis Banville’s most rapturous performance to date. Review “Hypnotic. . . . As much as any author today, [Banville] demonstrates the continuing relevance of words like ‘artistry’ and ‘masterpiece.’” – The New York Times Book Review “The style—the voice—is a phenomenon, a wonder in itself. . . . Shroud is full of . . . secrets that change everything once you notice them. . . . Dazzling.” –Los Angeles Times Book Review“Glittering, far-reaching intelligence. . . . Sentences, paragraphs, pages that by their exact and passionate beauty transport the reader and make the world new.” –The Boston Globe “A seductive narrator. . .a writer of fastidious skill who captures the most delicate registers of feeling and mood with an often sublime precision.” – Newsday“A virtuoso tale of grief, loss and salvation. His dazzling lyricism and extraordinary language resonate long after the story ends. . . . This dreamlike novel . . . glows with the subdued brilliance of its author’s searching intellect. The long stretches of breathtaking prose, addictive and illuminating, are what make this Shroud just shy of miraculous.” —The Oregonian“A ravishingly beautiful writer. His prose is clean and unfussy. . .and his images and metaphors have a visionary keenness that’s almost violent; they strike the readers like blows.”–Salon“Shroud shocks its reader. . . . It throbs along powerfully . . . until out of nowhere a beautiful sentence stops things cold. Banville’s prose is thick and sumptuous.”–Entertainment Weekly“Can only be called a page-turner. . .what propels the reader’s fascination and admiration is the brilliance of its art.”–St. Louis Post-Dispatch“Banville. . . [has] an allusive, alliterative prose style; a sly sense of humor; a meditative intelligence drawn to art and artifice; an appraiser’s eye that seeks out the odd corners of beauty in this world but reserves a disdainful glance for its conventions. . . . An unlikely and affecting story of redemption.”–Houston Chronicle“A work of fiction with . . imaginative ambition and integrity.”–The Washington Post Book World“John Banville is a master of narrative, language and imagery. His fictional characters . . . have daunting intellectual and individual breadth. . . . The author’s gift is the taut examination of characters as they hold their own disquieted review of themselves. His prose is eloquent and his language reverberates with clarity.” —Rocky Mountain News“As much potboiler mystery as it is intellectual tour de force. . . . As a meditation on the nature of personal identity, indeed on the meaning of truth, Shroud is a masterpiece.”–Fort Worth Morning Star-Telegram “Every sentence of Shroud is thrilling with Nabokovian wit, sorrow and beauty.”–The Commercial Appeal (Memphis)“Difficult to resist. . .Banville has always been a sumptuous writer, but his love for the Jamesian sentence seems especially well-suited here.”–The Milwaukee Journal Sentinel“Almost every one of his gorgeous sentences has the brooding, propulsive power of the heavens above his narrator’s lost Belgian home. . . . Banville weaves a haunting, lingering tale of a soul forever severed from its own identity.”–Seattle Weekly“Ha
