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About Art Of The Shakuhachi 1
This recording is the first in a series documenting the art of the shakuhachi, performed by one of Japan's foremost performers, Kifu Mitsuhashi. The shakuhachi is a bamboo end-blown flute with four finger holes in the front and one in the back. Although it is a very unpretentious instrument, a skilled player can produce an astounding number of pitches and a nearly infinite variety of timbres and shadings.The sounds heard in the most traditional shakuhachi music (honkyoku, literally `basic' or `original') are usually not so much melodies in the Western sense of the word as they are a carefully composed series of short motives, phrases, and pitch cells played in a highly flexible rhythm and sometimes separated by long rests. Many varieties of grace notes, portamenti, pitch blending, explosive bursts of air, flutter tonguing, finger tremolos, vibrato and much else charge each pitch or phrase with great intensity and musical meaning. Although the pieces recorded on this CD are all of solo shakuhachi music, the instrument is also frequently featured in ensembles.The oldest known ancestor of the shakuhachi is the gagaku (court music) shakuhachi imported to Japan from China or Korea. These somewhat slender instruments, made either from bamboo or from jade, stone, or ivory, are in three sections. They have six finger holes and we apparently used in court ensemble music. The exact nature of the music played on these instruments remains unclear; after the 10th century the shakuhachi was rarely used in the gagaku ensemble.Early types of shakuhachi-like flutes had commonly been played by mendicant priests and monks. Somewhat later, the shakuhachi also became a favorite instrument of the beggar-monks known as komuso. They thought of themselves not as mere musicians or entertainers; instead they regarded their activity as a form of the Zen practice, suizen (`blowing meditati
