We specialize in hard to find items
All Categories
*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
- Electrical items MAY be 110 volts.
- 7 Day Return Policy
- All products are genuine and original
About Dora Bruder
Product Description 2014 Winner of the Nobel Prize in Literature Patrick Modiano opens Dora Bruder by telling how in 1988 he stumbled across an ad in the personal columns of the New Year's Eve 1941 edition of Paris Soir. Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942. With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the peroid—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial. From Kirkus Reviews A hauntingly fetching book, centered on one teenage girl's avoidable death. Modiano's novel Out of the Dark (1998) is also a short, nostalgic work fixated on a woman. This work is even darker, in that it weaves research, logical speculation, and emotive imagination around a Jewish girl who runs away from the convent school that is hiding her and soon disappears in Auschwitz via Drancy. Modiano's obsessive search began about ten years ago when he saw an old 1941 newspaper notice about a missing 15-year-old girl named Dora Bruder. Using the powerful description that makes him a noted novelist in his native France (``the black interminable wall, the penumbra beneath the metro arches''), Modiano goes to the listed address and to many uncooperative offices to follow the paper trail, the bureaucratic banality of evil, that leads to Bruder's bolting from her tedious but safe hiding place during the Nazi occupation. The tragedy took place in parts of Paris familiar to the author, though much has changed in 50 years, ``and it takes time for what has been erased to resurface. What resurfaces through months of patient investigation are details about Dora's parents and his own Jewish father, who abandoned the family, with speculation placing Dora and his father in the same predicament. Beyond the guesswork, like describing Mr. Bruder's likely battles during five years with the French Foreign Legion, Modiano comes up with a few photos of Dora and her family and interviews a few survivors that knew the family. The author combines empathy and facts to see the suicidal ecstasy of Dora running away and hiding out on the wintry Parisian streets until her documented arrest and transport to oblivion. Not a Holocaust memoir or historical fiction but a skillful reconstruction of a life that strides the two genres. (3 b&w photos, 2 maps) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved. Review "Modiano has an almost paranormal capacity to sense vibrations from the past or intimations of the future." -- Debarati Sanyal ― Public Books Published On: 2015-10-01 From the Inside Flap He has evoked the most ungraspable human destinies and uncovered the life-world of the occupation”Nobel Foundation "A hauntingly fetching book." Kirkus Reviews "The memory of its poignant passages may remain with a reader forever." Boston Globe "Modiano makes us hear in the first person, very distinctly, his own literary voiceclear, beautiful, and truein speech and memory that never falter." Le Nouvel
