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About Kim Jiyoung, Born 1982: A Novel
Product Description Longlisted • National Book Award (Translated Literature) A New York Times Notable Book of 2020 and Editors' Choice Selection Best Books of 2020 ― NPR, TIME Magazine, Chicago Public LibraryVulture • Best Books of the Year (So Far) A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rigid misogyny. Truly, flawlessly, completely, she became that person. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job―in order to care for her newborn daughter full-time―as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women―alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist. In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist―a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her―from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child―to put them first. Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her? Rendered in minimalist yet lacerating prose, Kim Jiyoung, Born 1982 sits at the center of our global #MeToo movement and announces the arrival of writer of international significance. Review "Cho’s clinical prose is bolstered with figures and footnotes to illustrate how ordinary Jiyoung’s experience is.... When Kim Jiyoung, Born 1982, was published in Korea in 2016, it was received as a cultural call to arms.... Like Bong Joon Ho’s Academy Award-winning film Parasite, which unleashed a debate about class disparities in South Korea, Cho’s novel was treated as a social treatise as much as a work of art.... The new, often subversive novels by Korean women, which have intersected with the rise of the #MeToo movement, are driving discussions beyond the literary world." ― Alexandra Alter, New York Times "[ Kim Jiyoung] laid bare my own Korean childhood ― and, let’s face it, my Western adulthood too ― forcing me to confront traumatic experiences that I’d tried to chalk up as nothing out of the ordinary. But then, my experiences are ordinary, as ordinary as the everyday horrors suffered by the book’s protagonist, Jiyoung. This novel is about the banality of the evil that is systemic misogyny. . . . Jiyoung, like Gregor Samsa, feels so overwhelmed by social expectations that there is no room for her in her own body; her only option is to become something ― or someone ― else." ― Euny Hong, New York Times Book Review "Cho Nam-joo’s third novel has been hailed as giving voice to the unheard everywoman. . . . [ Kim Jiyoung] has become both a touchstone for a conversation around feminism and gender and a lightning rod for anti-feminists who view the book as inciting misandry . . . [The book] has touched a nerve globally . . . The character of Kim Jiyoung can be seen as a sort of sacrifice: a protagonist who is broken in order to
