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L.R. Baggs Align Session Acoustic Guitar Effects
L.R. Baggs Align Session Acoustic Guitar Effects
L.R. Baggs Align Session Acoustic Guitar Effects
L.R. Baggs Align Session Acoustic Guitar Effects
L.R. Baggs Align Session Acoustic Guitar Effects
L.R. Baggs Align Session Acoustic Guitar Effects
L.R. Baggs Align Session Acoustic Guitar Effects

L.R. Baggs Align Session Acoustic Guitar Effects Pedal

Product ID : 34772999
4.6 out of 5 stars


Galleon Product ID 34772999
UPC / ISBN 897042002228
Shipping Weight 1.17 lbs
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Model Session Align
Manufacturer LR Baggs
Shipping Dimension 6.14 x 3.98 x 2.8 inches
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17,532

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*Packaging of actual item may differ from photo shown
  • Electrical items MAY be 110 volts.
  • 7 Day Return Policy
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  • Cash On Delivery/Cash Upon Pickup Available

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L.R. Baggs Align Session Acoustic Guitar Effects Features

  • Analog Saturation enhances warmth and harmonic content

  • Compression / EQ smoothes out common problem frequencies

  • Adjustable gain for both passive and active pickups

  • Engage footswitch for affected signal or true bypass

  • Volume level control


About L.R. Baggs Align Session Acoustic Guitar Effects

Allow Your Acoustic-electric Tone to Blossom Make your plugged-in tone bloom with the LR Baggs Align Session compressor and saturation pedal. Its subtle compressor tames peaks while bringing up the warmth and nuance of your tone. Dial in the Saturate control to add just the right amount of harmonic richness and midrange complexity. A Volume control helps you compensate for higher compression settings, and guitarists at GearNuts dig using the Align Session as a boost pedal too. However you use it, you'll be rewarded with larger-than-life acoustic-electric tone with the LR Baggs Align Session pedal.Tailor your tone with the Align acoustic pedal series While each member of the LR Baggs Align series will reward your acoustic-electric tone on its own, they're designed to work together as a complete sonic solution for recording and performing. Use the Align Equalizer for preamplification, sound sculpting, and notching out feedback frequencies. Then add girth