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About Amber And Clay
Product Description The Newbery Medal–winning author of Good Masters! Sweet Ladies! gives readers a virtuoso performance in verse in this profoundly original epic pitched just right for fans of poetry, history, mythology, and fantasy. Welcome to ancient Greece as only genius storyteller Laura Amy Schlitz can conjure it. In a warlike land of wind and sunlight, “ringed by a restless sea,” live Rhaskos and Melisto, spiritual twins with little in common beyond the violent and mysterious forces that dictate their lives. A Thracian slave in a Greek household, Rhaskos is as common as clay, a stable boy worth less than a donkey, much less a horse. Wrenched from his mother at a tender age, he nurtures in secret, aided by Socrates, his passions for art and philosophy. Melisto is a spoiled aristocrat, a girl as precious as amber but willful and wild. She’ll marry and be tamed—the curse of all highborn girls—but risk her life for a season first to serve Artemis, goddess of the hunt. Bound by destiny, Melisto and Rhaskos—Amber and Clay—never meet in the flesh. By the time they do, one of them is a ghost. But the thin line between life and death is just one boundary their unlikely friendship crosses. It takes an army of snarky gods and fearsome goddesses, slaves and masters, mothers and philosophers to help shape their story into a gorgeously distilled, symphonic tour de force. Blending verse, prose, and illustrated archaeological “artifacts,” this is a tale that vividly transcends time, an indelible reminder of the power of language to illuminate the over- and underworlds of human history. From School Library Journal Gr 5 Up—Two children from vastly different backgrounds—one common as clay, artistic and bright; the other precious as amber, wild, and forceful—share stories of hardship and hope, life and death in this historical fantasy told as a Greek tragedy. Born a slave and considered a barbarian by the dominant culture, redheaded Rhaskos is taught to follow orders and never think for himself. Brown-skinned Melisto is born into an affluent Athenian household, but is abused and berated by a mother who wanted a son (or at least an obedient daughter). As the children grow so do their stories, until eventually the two become entangled through the work of the gods and Rhaskos's long-lost mother. Told from multiple perspectives, mostly in verse with some prose sections, Schlitz's latest novel is a beautifully crafted, complex masterpiece that unfortunately may be a tough sell for the intended audience. While the god Hermes acts as chorus, providing irreverent interludes as well as much-needed context, he cannot compensate for an often wide gap in the lived experiences of characters—at one point, Melisto's mother describes her pregnancy and labor—and that of the reader. VERDICT This is a thoroughly researched, epic tale, but one that may have limited appeal. Share with readers who enjoyed other works by Schlitz or Finding Wonders by Jeannine Atkins, or for whom Katherine Marsh's Jepp, Who Defied the Stars is perhaps too mature.—Kaitlin Frick, Darien Lib., CT Review Schlitz (“The Hired Girl”) is a Newbery Medal winner, and hops from one style to another with tremendous skill. The story is told partly in verse and partly in prose; the voice alternates between first person and third person, with the gods — Hermes in particular — stepping in as occasional choruses to the action. The text is complemented by Julia Iredale’s delightful illustrations of imaginary archaeological finds: an ostracon (or pottery shard), a strigil (or scraper used to clean the body after exercise), some painted vases. They’re accompanied by museum exhibit cards, to give the reader information about what they depict. —The New York Times Book Review An artistic enslaved boy, “common as clay,” and a free-spirited girl, “precious as amber,” become “linked together by the gods” in this drama of ancient Greece. . . Lyrically descriptive, surprisingly contemporary in
