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About Fantasma
Product description I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it. Amazon.com From the first cut--"Mic Check," one of the coolest disc openers heard in ages--it's apparant that Fantasma is something special. To hear electronic musician Cornelius (aka Keigo Oyamada) in full effect, skip ahead to "Monkey," which bends blistering shoe-gazing rock with goofy sound effects, lush, surf's up vocals, and a pleasantly modulating 1980s synth with a loud, distorting drum-roll sample. Cornelius's rock-savvy, playful, and idiosyncratic musical collage works as much off the tension between disparate, sampled sounds as their seamless dance alongside each other. Fantasma is firmly in the spirit of the anything-goes, D.I.Y. tradition of both punk rock and early hip-hop. --Mike McGonigal Review Fantasma, [Cornelius's] third full-length and debut U.S. album, is an exuberant kaleidoscope of hip-hop, noisecore, film soundtracks, cheesy listening, indie rock, even Sesame Street.... Fantasma is an endearing music-obsessive-comes-of-age tale--from Saturday morning TV to arena rock to bootleg Jean-Jacques Perrey reissues--but once the initial weirdness-buzz wears off, there's not a whole lot to latch onto. -- Spin Cornelius makes his eagerly awaited U.S. debut with Fantasma--a combination of Becklike, rock-hop arrangements and catchy Beatles-inspired melodies.... Fantasma is brilliant. Cornelius's innovations will definitely excite futuristic B-boys and rockers alike. -- Vibe Performer/producer/Japanese indie legend Cornelius (Keigo Oyamada) offers up a visionary, visual sound that's as generous as it is lavish. On his first stateside release, Cornelius indulges his listeners by indulging his own precocious imagination. Multidimensional and multilingual, the all-embracing spirit of Fantasma happily hoards the commodity-culture excesses of yesteryear's Top 40, Planet of the Apes trivia, pop-metal, and up-to-the-minute computer-rock marginalia. But Oyamada isn't a pack rat, instead, reusing his resources to produce a precious new kind of throw away pop that more than recycles and regurgitates its found sounds. -- Option
