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The Gallery of Miracles and
The Gallery of Miracles and

The Gallery of Miracles and Madness: Insanity, Modernism, and Hitler's War on Art

Product ID : 46614622

Galleon Product ID 46614622
Shipping Weight 1.29 lbs
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Shipping Dimension 9.53 x 6.46 x 1.18 inches
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About The Gallery Of Miracles And

Product Description The untold story of Hitler’s war on “degenerate” artists and the mentally ill that served as a model for the “Final Solution.”   “A penetrating chronicle . . . deftly links art history, psychiatry, and Hitler’s ideology to devastating effect.”—The Wall Street Journal As a veteran of the First World War, and an expert in art history and medicine, Hans Prinzhorn was uniquely placed to explore the connection between art and madness. The work he collected—ranging from expressive paintings to life-size rag dolls and fragile sculptures made from chewed bread—contained a raw, emotional power, and the book he published about the material inspired a new generation of modern artists, Max Ernst, André Breton, and Salvador Dalí among them. By the mid-1930s, however, Prinzhorn’s collection had begun to attract the attention of a far more sinister group.  Modernism was in full swing when Adolf Hitler arrived in Vienna in 1907, hoping to forge a career as a painter. Rejected from art school, this troubled young man became convinced that modern art was degrading the Aryan soul, and once he had risen to power he ordered that modern works be seized and publicly shamed in “degenerate art” exhibitions, which became wildly popular. But this culture war was a mere curtain-raiser for Hitler’s next campaign, against allegedly “degenerate” humans, and Prinzhorn’s artist-patients were caught up in both. By 1941, the Nazis had murdered 70,000 psychiatric patients in killing centers that would serve as prototypes for the death camps of the Final Solution. Dozens of Prinzhorn artists were among the victims.  The Gallery of Miracles and Madness is a spellbinding, emotionally resonant tale of this complex and troubling history that uncovers Hitler’s wars on modern art and the mentally ill and how they paved the way for the Holocaust. Charlie English tells an eerie story of genius, madness, and dehumanization that offers readers a fresh perspective on the brutal ideology of the Nazi regime. Review “English takes us through uncharted artistic waters in a narrative of great humanity: a gripping journey into art, madness and modern history.” —Jonathan Jones, art critic, The Guardian “Dazzling . . . The Gallery of Miracles and Madness explores a little-known chapter of World War II—the story of psychiatric art and the rise of the Third Reich. This poignant narrative centers on the complicated psychiatrist Hans Prinzhorn and the eccentric patient artists whose work helped usher in a new epoch of the modernist avant-garde only to become fodder for Hitler's hateful ideology of 'degeneration.’ Richly wrought and deeply researched, it’s also a salient reminder to beware of pseudoscience.” —Susannah Cahalan, author of Brain on Fire and The Great Pretender “A riveting tale, brilliantly told.” —Philippe Sands, author of East West Street   “In this fascinating account, journalist English ( Book Smugglers of Timbuktu) unpacks Hitler’s mad campaign against mentally ill artists. . . . In musing on the definition of art, limitations of clinical psychology, and the rise of fascism, English’s story feels strikingly relevant. While shedding new light on this piece of history, English also provides a cautionary tale for the future.” —Publishers Weekly About the Author Charlie English is a former journalist for The Guardian, where he held several positions including arts editor and head of international news. A fellow of the Royal Geographical Society and the author of two previous books, The Storied City and The Snow Tourist, he has traveled and reported widely around the globe. He lives in London with his family. Excerpt. © Reprinted by permission. All rights reserved. 1.The Man Who Jumped in the Canal On a winter’s day in 1898, a stocky young man with a handlebar mustache was hurrying along the banks of a canal in Hamburg, north Germany. Pohl, as the world would come to know him, was in his early thirties then, a dapper individual who