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Fifty Great Short Stories (Bantam Classics)
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About Fifty Great Short Stories
Product Description 50 Great Short Stories is a comprehensive selection from the world’s finest short fiction. The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O’Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world’s fiction. From the Back Cover "50 Great Short Stories is a comprehensive selection from the world's finest short fiction. The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common-the enduring quality of the writing, which places them among the masterpieces of the world's fiction. About the Author Milton Crane is Professor Emeritus of English Language and Literature at George Washington University and the University of Chicago. His is the author several books and articles on English literature, as well as the editor of the Bantam anthology, 50 Great American Short Stories. Excerpt. © Reprinted by permission. All rights reserved. THE GARDEN PARTY* BY KATHERINE MANSFIELD AND AFTER all the weather was ideal. They could not have had a more perfect day for a garden-party if they had ordered it. Windless, warm, the sky without a cloud. Only the blue was veiled with a haze of light gold, as it is sometimes in early summer. The gardener had been up since dawn, mowing the lawns and sweeping them, until the grass and the dark flat rosettes where the daisy plants had been seemed to shine. As for the roses, you could not help feeling they understood that roses are the only flowers that impress people at garden-parties; the only flowers that everybody is certain of knowing. Hundreds, yes, literally hundreds, had come out in a single night; the green bushes bowed down as though they had been visited by archangels. Breakfast was not yet over before men came to put up the marquee. "Where do you want the marquee put, mother?" "My dear child, it's no use asking me. I'm determined to leave everything to you children this year. Forget I am your mother. Treat me as an honoured guest." But Meg could not possibly go and supervise the men. She had washed her hair before breakfast, and she sat drinking her coffee in a green turban, with a dark wet curl stamped on each cheek. Jose, the butterfly, always came down in a silk petticoat and a kimono jacket. "You'll have to go, Laura; you're the artistic one." Away Laura flew, still holding her piece of bread-and-butter. It's so delicious to have an excuse for eating out of doors and besides, she loved to arrange things; she always felt she could do it so much better than anybody else. Four men in their shirt-sleeves stood grouped together on the garden path. They carried staves covered with rolls of canvas, and they had big tool-bags slung on their backs. They looked impressive. Laura wished now that she had not got the bread-and-butter, but there was nowhere to put it, and she couldn't possibly throw it away. She blushed and tried to look severe and even a little bit short-sighted as she came up to them. "Good morning," she said, copying her mother's voice. But that sounded so fearfully affected that she was ashamed, and stammered like a little girl, "Oh--er--have you come--is it about the marquee?" "That's right, miss," said the tallest of the men, a lanky freckled fellow, and he shifted his tool-bag, knocked back his straw hat and smiled down at her. "That's about it." His smile was so easy, so friendly that Laura recovered. What nice eyes he had, small, but such a dark blue! And now she looked at the others, they were smiling too. "Cheer
