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The Woo-Woo: How I Survived Ice Hockey, Drug Raids, Demons, and My Crazy Chinese Family
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About The Woo-Woo: How I Survived Ice Hockey, Drug
Product Description In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on anti-psychotic meds. Lindsay Wong grew up with a paranoid schizophrenic grandmother and a mother who was deeply afraid of the “woo-woo”—Chinese ghosts who come to visit in times of personal turmoil. From a young age, she witnessed the woo-woo’s sinister effects; at the age of six, she found herself living in the food court of her suburban mall, which her mother saw as a safe haven because they could hide there from dead people, and on a camping trip, her mother tried to light Lindsay’s foot on fire to rid her of the woo-woo. The eccentricities take a dark turn, however, when her aunt, suffering from a psychotic breakdown, holds the city of Vancouver hostage for eight hours when she threatens to jump off a bridge. And when Lindsay herself starts to experience symptoms of the woo-woo herself, she wonders whether she will suffer the same fate as her family. On one hand a witty and touching memoir about the Asian immigrant experience, and on the other a harrowing and honest depiction of the vagaries of mental illness, The Woo-Woo is a gut-wrenching and beguiling manual for surviving family, and oneself. Review "Lindsay Wong’s The Woo-Woo is a brave, funny, and heartbreaking memoir that takes on the mysticism so regularly sold to us as part of the Asian American experience, and presents a side we don’t often see: that of a young woman struggling to survive her family’s adherence to a belief system she knows will doom her and them both." —Alexander Chee, author of How To Write an Autobiographical Novel "The Woo-Woo will break your heart then bind it back together. With luxurious prose, dark humor, and a sharp yet tender gaze, Lindsay Wong gives us an unforgettable memoir that mines the truth of her explosive family and its everlasting ripples as they follow her into adulthood." —Lily Brooks-Dalton, author of Motorcycles I've Loved and Good Morning, Midnight "How anyone survives childhood is a mystery, but how Lindsay Wong endured hers is a revelation. Extraordinary in their cruelty and blacker-than-midnight hilarity, Wong's family in The Woo-Woo is unforgettable. Equal parts appalling and riveting, Wong proves that a sense of humor can get you through the most dire circumstances. A riveting, unbelievable family epic told in exquisite, visceral prose, you won't believe it's not fiction." —Elizabeth Greenwood, author of Playing Dead: A Journey Through The World Of Death Fraud "That Lindsay Wong is even alive to write this book is amazing. That she can make it into the hilarious, touching, and tragic story that she's given us here is proof that books still have a purpose. Her black humor combines with compassion: she represents the realities of mental illness in her family while still telling us the story from their perspective: that of people haunted by The Woo-Woo. After you read this book, you may be, too -- in the best way." —Sarah Perry, author of After the Eclipse: A Mother's Murder, A Daughter's Search "Here's a memoir so alive and full of 'you can't make this stuff up' that you’ll find yourself wincing and snickering and possibly weeping long after reading the last eloquent sentence. The Woo-Woo is both heart-wrenching and batshit insane, and is also beautifully rendered and fearless in its whip-smart humor. Lindsay Wong spares nothing, not even herself, in her search for clarity amidst madness, while the specificity of her prose reminds us of the woo-woo lurking within every family tree." —Sean Madigan Hoen, author of Songs Only You Know: A Memoir About the Author Lindsay Wong holds a BFA in Creative Writing from the University of British Columbia in Vancouver and a MFA in Literary Non-Fiction from Columbia University in New York. Her fiction and nonfiction have appeared in No Tokens, The Fiddlehead, Ric
