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The People’s Car: A Global History of the Volkswagen Beetle

Product ID : 12815117


Galleon Product ID 12815117
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About The People’s Car: A Global History Of The

Product Description At the Berlin Auto Show in 1938, Adolf Hitler presented the prototype for a small, oddly shaped, inexpensive family car that all good Aryans could enjoy. Decades later, that automobile-the Volkswagen Beetle-was one of the most beloved in the world. Bernhard Rieger examines culture and technology, politics and economics, and industrial design and advertising genius to reveal how a car commissioned by Hitler and designed by Ferdinand Porsche became an exceptional global commodity on a par with Coca-Cola. Beyond its quality and low cost, the Beetle's success hinged on its uncanny ability to capture the imaginations of people across nations and cultures. In West Germany, it came to stand for the postwar "economic miracle" and helped propel Europe into the age of mass motorization. In the United States, it was embraced in the suburbs, and then prized by the hippie counterculture as an antidote to suburban conformity. As its popularity waned in the First World, the Beetle crawled across Mexico and Latin America, where it symbolized a sturdy toughness necessary to thrive amid economic instability. Drawing from a wealth of sources in multiple languages, The People's Car presents an international cast of characters-executives and engineers, journalists and advertisers, assembly line workers and car collectors, and everyday drivers-who made the Beetle into a global icon. The Beetle's improbable story as a failed prestige project of the Third Reich which became a world-renowned brand illuminates the multiple origins, creative adaptations, and persisting inequalities that characterized twentieth-century globalization. Review “[An] illuminating and elegantly written history… Rieger is particularly good on the gendered nature of Beetle ownership. At a time when fewer than 20 percent of driving licenses in West Germany were held by women, the Beetle became a vehicle for what he calls ‘automotive misogyny.’ …He is very good…on its appeal in the United States, where it became a popular second car for many families in the expanding suburbs of the 1950s and 1960s… It even became an icon of the counterculture.” ― Richard J. Evans , London Review of Books “Bernhard Rieger’s The People’s Car conveys how inextricably 20th-century politics, culture and economics are linked… The story of ‘the people’s car’ is, of course, interesting in its own right―its commission, design, post-war production and worldwide success. But what is most intriguing is how a consumer commodity became an icon that, over decades, represented something different for a variety of countries and generations. Rieger shows this to informative and illuminating effect.” ― Ulrike Zitzlsperger , Times Higher Education “ The People’s Car by Bernhard Rieger chronicles the life of the iconic Volkswagen Beetle, from its 1930s origin as a propaganda tool for Germany’s Third Reich through to the modern day, a run of popularity spanning a remarkable nine decades. Rieger’s research details the car maker’s obsessive pursuit for high-quality, low-maintenance and utterly dependable motoring, which were the treasured hallmarks of the Beetle through the middle part of the 20th century… While the meteoric postwar rise of the Beetle presents a chance to marvel at the model’s simple appeal and outstanding longevity, the years before its manufacture began present the most fascinating reading… The People’s Car is an exhaustive…and fascinating glimpse at a car that stood the test of time and of changing consumer tastes.” ― Steve Colquhoun , Sydney Morning Herald “Bernhard Rieger tells the story of the Beetle and he does so with wit and ease… A German chronicle that always keeps an eye on international entanglements. [Rieger’s] cultural history with a transnational reach is…the intelligent alternative to traditional national historiography.” ― Hedwig Richter , Frankfurter Allgemeine Zeitung “An engaging history of how a failed Nazi prestige project became a national icon i