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The Uses of Enchantment: The Meaning and Importance of Fairy Tales

Product ID : 15841884


Galleon Product ID 15841884
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About The Uses Of Enchantment: The Meaning And Importance

Product Description Winner of the National Book Award and National Book Critics Circle Award "A charming book about enchantment, a profound book about fairy tales."—John Updike, The New York Times Book Review  Bruno Bettelheim was one of the great child psychologists of the twentieth century and perhaps none of his books has been more influential than this revelatory study of fairy tales and their universal importance in understanding childhood development. Analyzing a wide range of traditional stories, from the tales of Sindbad to “The Three Little Pigs,” “Hansel and Gretel,” and “The Sleeping Beauty,” Bettelheim shows how the fantastical, sometimes cruel, but always deeply significant narrative strands of the classic fairy tales can aid in our greatest human task, that of finding meaning for one’s life. Review “Bettelheim argues convincingly that fairy tales provide a unique way for children to come to terms with the dilemmas of their inner lives.” — The Atlantic   “A charming book about enchantment, a profound book about fairy tales.” —John Updike, The New York Times Book Review   “A splendid achievement, brimming with useful ideas, with insights into how young children read and understand, and most of all overflowing with a realistic optimism and with an experienced and therapeutic good will.” —Harold Bloom, The New York Review of Books   “Provocative and persuasive.” — Boston Globe From the Back Cover The great child psychologist gives us a moving revelation of the enormous and irreplaceable value of fairy tales - how they educate, support and liberate the emotions of children. About the Author Bruno Bettelheim was born in Vienna in 1903. He received his doctorate at the University of Vienna and came to America in 1939, after a year in the concentration camps of Dachau and Buchenwald. He was a Distinguished Professor of Education and Professor of both psychology and psychiatry at the University of Chicago. He died in 1990. Excerpt. © Reprinted by permission. All rights reserved. LIFE DIVINED FROM THE INSIDE   “Little Red Riding Hood was my first love. I felt that if I could have married Little Red Riding Hood, I should have known perfect bliss.” This statement by Charles Dickens indicates that he, like untold millions of children all over the world throughout the ages, was enchanted by fairy tales. Even when world-famous, Dickens acknowledged the deep formative impact that the wondrous figures and events of fairy tales had had on him and his creative genius. He repeatedly expressed scorn for those who, motivated by an uninformed and petty rationality, insisted on rationalizing, bowdlerizing, or outlawing these stories, and thus robbed children of the important contributions fairy tales could make to their lives. Dickens understood that the imagery of fairy tales helps children better than anything else in their most difficult and yet most important and satisfying task: achieving a more mature consciousness to civilize the chaotic pressures of their unconscious.   Today, as in the past, the minds of both creative and average children can be opened to an appreciation of all the higher things in life by fairy tales, from which they can move easily to enjoying the greatest works of literature and art. The poet Louis MacNeice, for example, tells that “Real fairy stories always meant much to me as a person, even when I was at a public school where to admit this meant losing face. Contrary to what many people say even now, a fairy story, at least of the classical folk variety, is a much more solid affair than the average naturalistic novel, whose hooks go little deeper than a gossip column. From folk tales and sophisticated fairy tales such as Hans Andersen's or Norse mythology and stories like the Alice books and Water Babies I graduated, at about the age of twelve, to the Faerie Queene.” Literary critics such as G. K. Chesterton and C. S. Lewis felt that fairy stories are “spiritual explorations” and he