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About Mozart: Requiem,K.626 ~ Davis
In part because no one knows what Mozart really intended, interpretations of his Requiem range from the grand and operatic, of which this recording is an example, to the intimate, restrained, and idiosyncratic. There is room for all of them. This is a good place to start for those who like a big chorus, big orchestra, and big sound. A gloriously theatrical reading, it is forceful in the climaxes, warmly expressive in the softer pages. The wonderful solo quartet, showcased to great effect in the Recordare, seems to have just stepped off the opera stage. The 1990 recording, a coproduction of BMG Classics and the Bavarian Radio, offers close-up, sumptuous sound. --Ted Libbey
