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The Midnight Club
The Midnight Club
The Midnight Club

The Midnight Club

Product ID : 48421420


Galleon Product ID 48421420
Shipping Weight 0.42 lbs
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Shipping Dimension 8.19 x 5.51 x 0.71 inches
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About The Midnight Club

Product Description Now an original Netflix series! From the author of The Wicked Heart and The Immortal comes a beautiful and haunting novel about a group of five terminally ill teenagers whose midnight stories become their reality. Rotterham Home was a hospice for young people—a place where teenagers with terminal illnesses went to die. Nobody who checked in ever checked out. It was a place of pain and sorrow, but also, remarkably, a place of humor and adventure. Every night at twelve, a group of young guys and girls at the hospice came together to tell stories. They called themselves the Midnight Club, and their stories could be true or false, inspiring or depressing, or somewhere in-between. One night, in the middle of a particularly scary story, the teenagers make a secret pact with each other, which says, “The first one who dies will do whatever he or she can do to contact us from beyond the grave, to give us proof that there is life after death.” Then one of them does die... About the Author Christopher Pike is a bestselling young adult novelist and has published several adult books as well—Sati and The Season of Passage being the most popular. In YA, his Last Vampire series—often called Thirst—is a big favorite among his fans. Pike was born in Brooklyn, New York, but grew up in Los Angeles. He lives in Santa Barbara, California, with his longtime partner, Abir. Currently, several of Pike’s books are being turned into films and in the fall of 2022, Netflix will be releasing a ten-part series entitled The Midnight Club, based on Pike’s novel of the same name. The Midnight Club also draws from a half dozen of Pike’s earlier works. Presently, The Season of Passage is being adapted as a feature film by Universal Studios while Chain Letter—one of Pike all-time bestselling books—is also being adapted by Hollywood. At the moment, Pike is hard at work on a new YA series. Excerpt. © Reprinted by permission. All rights reserved. Chapter I CHAPTER I Ilonka Pawluk checked herself out in the mirror and decided she didn’t look like she was going to die. Her face was thin, true, as was the rest of her, but her blue eyes were bright, her long brown hair shiny, and her smile white and fresh. That was the one thing she always did when she looked in the mirror—smiled, no matter how lousy she felt. A smile was easy. Just a reflex really, especially when she was alone and feeling down. But even her feelings could be changed, Ilonka decided, and today she was determined to be happy. The old cliché sprang to her mind—today is the first day of the rest of my life. Yet there were certain facts she could not wish away. Her long shiny brown hair was a wig. Months of chemotherapy had killed off the last strands of her own hair. She was still very sick—that was true, and it was possible that today might be a large portion of the rest of her life. But she wouldn’t allow herself to think about that because it didn’t help. She had to concentrate only on what did help. That was an axiom she lived by now. She picked up a glass of water and a handful of herbal tablets and tossed all the pills into her mouth. Behind her, Anya Zimmerman, her roommate, and a sick girl if there ever was one, groaned. Anya spoke as Ilonka swallowed the half-dozen capsules. “I don’t know how you can take those all at once,” she said. “I’d throw them up in a minute.” Ilonka finished swallowing and burped softly. “They go down a lot easier than a needle in the arm.” “But a needle brings immediate results.” Anya liked drugs, hard narcotics. She had the right to them because she was in constant excruciating pain. Anya Zimmerman had bone cancer. Six months earlier her right leg had been chopped off at the knee to stop the spread—all in vain. Ilonka watched in the mirror as Anya shifted in her bed, trying to make herself more comfortable. Anya did that frequently, moving this way and that, but there was no way she could move out of her body, and that was the problem