Dangerous Music 2-BUS+ 16-Channel Analog Summing Mixer

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About Dangerous Music 2-BUS+ 16-Channel Analog Summing

2-BUS+ 16-Channel Analog Summing Mixer. With a redesigned analog summing circuit that exceeds previous specifications, the 2-BUS+ delivers unsurpassed imaging, dimensionality, punch and headroom. While the 2-BUS+ active summing sounds incredible on its own, it now includes three custom color circuits that provide a vast array of flexibly routed tonal options. With its straightforward buttons and knobs, the 2-BUS+ puts endless combinations of robust analog sound at your fingertips. Brilliantly designed by the Chris Muth, the 2-BUS+ embodies a dedication to deliver the very best analog products available. Active Analog Summing When multiple converters share the workload of getting your sounds from digital into analog, you’ll hear improved articulation and clarity across your mix. Once in the analog realm, these individual channels are electronically summed together with what’s called an “active analog summing circuit.” Unlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS+ result in a huge soundstage and audible three-dimensionality. Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. The 2-BUS+ unveils all the details that bring your creations to life. The Three Analog Tone Circuits When it comes to adding analog color to your mixes, the design team at Dangerous has developed three all-analog circuits: Harmonics, Paralimit and X-Former. Because these circuits are built into the 2-BUS+, you get a versatile selection of analog colors while never leaving the lush, open analog mixing environment. Harmonics – Add the euphoric sound of an analog circuit on the edge of distortion to your whole mix, or to individual channel pairs. Carefully tuned to generate the perfect mixture of odd- and even-order harmonics, this effect runs parallel with the unprocessed signal so yo...