X

Love in a Dark Time: And Other Explorations of Gay Lives and Literature

Product ID : 22609181


Galleon Product ID 22609181
Model
Manufacturer
Shipping Dimension Unknown Dimensions
I think this is wrong?
-
1,310

*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown

Pay with

About Love In A Dark Time: And Other Explorations Of Gay

Product Description Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading. Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of their work, the laws of desire defined their expression. This is an intimate encounter with Mann, Baldwin, Bishop, and with the contemporary poets Thom Gunn and Mark Doty. Through their work, Tóibín is able to come to terms with his own inner desires—his interest in secret erotic energy, his admiration for courageous figures, and his abiding fascination with sadness and tragedy. Tóibín looks both at writers forced to disguise their true experience on the page and at readers who find solace and sexual identity by reading between the lines. Review John Banville Irish Times Is it permissible even to speak, as so many do nowadays, of a "gay community"? Tóibín treats [this] and many other questions with confidence and authority, both of which attributes are only strengthened by the moderation of his tone and the depth of his compassion. He writes with rare tenderness of figures as disparate as Elizabeth Bishop and Francis Bacon, Thomas Mann and Roger Casement, Thom Gunn and Pedro Almodóvar. John Gardner Times Literary Supplement It is Colm Tóibín's great strength that he is able to attune himself to nuances, and to the ways in which people "invent" themselves. Ruth Padel Financial Times Tóibín demonstrates wonderfully how a dedicated writer always thinks with other writers: their lives and sexuality, as well as their work. Tóibín can be engagingly mischievous and witty, but is deeply serious about books. Mark Levin Men's Journal Tóibín is a superb technician with a brave soul. Robert Sullivan Vogue Tóibín writes with high-voltage restraint; his sentences are masterfully devoid of trickery...He is tuned in to the silent language of families, the messages that are unspoken and slip past the rest of the world, landing deep into the hearts of those who understand. About the Author Colm Tóibín is the author of ten novels, including The Magician, his most recent novel;  The Master, winner of the Los Angeles Times Book Prize;  Brooklyn, winner of the Costa Book Award;  The Testament of Mary; and  Nora Webster, as well as two story collections and several books of criticism. He is the Irene and Sidney B. Silverman Professor of the Humanities at Columbia University. Three times shortlisted for the Booker Prize, Tóibín lives in Dublin and New York. Excerpt. © Reprinted by permission. All rights reserved. Introduction It was the winter of 1964 in the town of Enniscorthy in the southeast of Ireland and I was training to be an altar boy. My fellow apprentices and I spent an hour three evenings a week in the vestry of the cathedral learning the intricacies of serving Mass and Benediction. We learned by rote the names of all the vestments the priest wore -- the amice, the alb, the girdle, the stole, the maniple, and the chasuble. We learned how to ring the bell on the altar, first to alert the Mass-goers to the immanence of the Consecration and once more as the Host was raised and the chalice lifted. We learned how to serve the water so the priest could wash his fingers. We learned how to hold the gold plate under the chins of those who came to receive Communion. We were serious and dutiful, knowing that we had been chosen carefully not only because of our families' position in the town but because of something the priests had noticed about us, a lack of a rebellious spirit perhaps, a willingness to bow our heads durin