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Reading Hayy Ibn-Yaqzan: A Cross-Cultural History of Autodidacticism

Product ID : 43910453


Galleon Product ID 43910453
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About Reading Hayy Ibn-Yaqzan: A Cross-Cultural History

Product Description Commonly translated as "The Self-Taught Philosopher" or "The Improvement of Human Reason," Ibn-Tufayl's story Hayy Ibn-Yaqzān inspired debates about autodidacticism in a range of historical fields from classical Islamic philosophy through Renaissance humanism and the European Enlightenment. Avner Ben-Zaken's account of how the text traveled demonstrates the intricate ways in which autodidacticism was contested in and adapted to diverse cultural settings. In tracing the circulation of the Hayy Ibn-Yaqzān, Ben-Zaken highlights its key place in four far-removed historical moments. He explains how autodidacticism intertwined with struggles over mysticism in twelfth-century Marrakesh, controversies about pedagogy in fourteenth-century Barcelona, quarrels concerning astrology in Renaissance Florence, and debates pertaining to experimentalism in seventeenth-century Oxford. In each site and period, Ben-Zaken recaptures the cultural context that stirred scholars to relate to ayy Ibn-Yaqān and demonstrates how the text moved among cultures, leaving in its wake translations, interpretations, and controversies as various as the societies themselves. Pleas for autodidacticism, Ben-Zaken shows, not only echoed within close philosophical discussions; they surfaced in struggles for control between individuals and establishments. Presented as self-contained histories, these four moments together form a historical collage of autodidacticism across cultures from the late Medieval era to early modern times. The first book-length intellectual history of autodidacticism, this novel, thought-provoking work will interest a wide range of historians, including scholars of the history of science, philosophy, literature, Europe, and the Middle East. Review "This highly interesting volume can be described in three ways. First it is a historical analysis of the concept of autodidacticism. Second, it is the history of a particular book. Finally, the book is self-described as an exercise in interdisciplinarity... The method of this historiographic proposal is described as 'historical sampling,' whereby the appropriation of a text in various cultural contexts is displayed and compared. In all three of the abovementioned ways, the present reviewer judges the book to be a success. Moreover, it is written in such a lively style with rich detail that it is engrossing from start to finish." (M. V. Dougherty Renaissance Quarterly) "Ben-Zaken sketches this backdrop to Hayy beautifully." (Lydia Wilson Times Literary Supplement) "This engaging book is slight in size yet ambitious in scope and innovative in methodology... overall, this is a splendid and daring book!" (Peter Heath International Journal of Middle East Studies) "This book will inspire future scholars along three different paths. First,it encourages fuller development of the reception-history of Hayy Ibn-Yaqzan; second, it opens up new directions in the study of the wider themes of autodidacticism and experimental learning in the early modern world; and, finally, it illustrates a new, increasingly popular methodology in the practice of intellectual history that moves beyond the constraints of period, national literature, religious orientation, and even scholarly discipline to produce a thick description of the movement of ideas across time. This is an extraordinary accomplishment for a relatively slim monograph." (Suzanne Conklin Akbari American Historical Review) "This is an impressive interdisciplinary achievement." (Nicolai Sinai Journal of Islamic Studies) "A fascinating and deftly told story of the development of autodidacticism... This study opens an illuminating window to cross-cultural exchanges." (Su Fang Ng Sixteenth Century Journal) "Reading ayy Ibn-Yaqān is a mesmerizing study that will enchant anyone interested in interdisciplinary cross-cultural explorations that transform the way we look at the past and the present." (Justin Grosslight The Arts Fuse)