We specialize in hard to find items
All Categories
American Poetry : The Twentieth Century, Volume 2 : E.E. Cummings to May Swenson
Share Tweet
*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
- Electrical items MAY be 110 volts.
- 7 Day Return Policy
- All products are genuine and original
About American Poetry : The Twentieth Century, Volume 2
Product Description “The editing is more than brilliant: It is nearly unimaginable how the Library of America team managed to do so much so well. . . . Every possible kind of poem is here in its best examples. No one has ever done a better anthology of modern American poetry, or even come close.” — Talk This second volume of the landmark two-volume Library of America anthology of twentieth-century poetry, organized chronologically by the poets’ birthdates, takes the reader from E.E. Cummings (1894–1962) to May Swenson (1913–1989). In the wake of the modernist renaissance, American poets continued to experiment with new techniques and themes, while the impact of the Depression and World War II and the continuing political struggle of African Americans became part of the fabric of a literature in transition. New schools and definitions of poetry seemed often to divide the literary scene. This was the era of the Harlem Renaissance, the Objectivists, the Fugitives, the proletarian poets. It was also an era of vigorously individuated voices—knotty, defiant, sometimes eccentric. The range of tone and subject matter is immense: here are Melvin B. Tolson’s swirlingly allusive Harlem portraits, Phyllis McGinley’s elegant verse transcriptions of suburbia, May Swenson’s playful meditations on the laws of physics. The diversity of formal approaches includes the extreme linguistic experiments of Eugene Jolas and Abraham Lincoln Gillespie, Rolfe Humphries’s adaptation of traditional Welsh meter, the haiku of Richard Wright, the ballads of Helen Adam and Elder Olson, the epigrams of J.V. Cunningham. A selection of light verse is joined by lyrics from the era’s greatest songwriters, including Robert Johnson, Woody Guthrie, and Ira Gershwin. Several important long poems are presented complete, including Hart Crane’s The Bridge, Louis Zukofsky’s Poem beginning “The” and Robert Penn Warren’s Audubon: A Vision. Rounding out the volume are such infrequently anthologized figures as Vladimir Nabokov, James Agee, Tennessee Williams, and John Cage. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Amazon.com Review If the first three decades of the 20th century mark the real birth of American poetry, then the following three might be considered a long and sometimes contentious adolescence. Not that there's anything juvenile about the work of Hart Crane, Elizabeth Bishop, Langston Hughes, or Theodore Roethke--quite the opposite. But after the fireworks of early modernism, there's a sense of American poetry finally coming into its own, multifarious identity. And the editors of American Poetry: The Twentieth Century, Volume Two: E.E. Cummings to May Swenson--i.e., the same Gang of Five that compiled the stellar first volume--have done very handsomely by the era. Again there are generous servings of the indisputable giants, from Hughes to Roethke to the underrated Louise Bogan. Perhaps the editors have been too generous with Cummings's lowercase frolics, but there is a historical argument to be made in his favor: who else gave modernism such a human (not to say antic) face? Hart Crane certainly gets his due, with nearly 40 pages devoted to the linguistic spans of "The Bridge," and Elizabeth Bishop's section alone is worth the price of admission--indeed, I'd push cash on the barrelhead simply to read the exquisite conclusion to "Over 2000 Illustrations and a Complete Concordance": Why couldn't we have seen this old Nativity while we were at it? --the dark ajar, the rocks breaking with light, an undisturbed, unbrea
