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A Really Good Brown Girl: Brick Books Classics 4
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About A Really Good Brown Girl: Brick Books Classics 4
Product Description Poetry. Native American Studies. Deluxe redesign of the Gerald Lampert Award-winning classic. On the occasion of the press's 40th anniversary, Brick Books is proud to present the fourth of six new editions of classic books from our back catalogue. This edition of A REALLY GOOD BROWN GIRL features a new Introduction by Lee Maracle, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst. First published in 1996, A REALLY GOOD BROWN GIRL is a fierce, honest and courageous account of what it takes to grow into one's self and one's Metis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature. I am looking at a school picture, grade five, I am smiling easily…I look poised, settled, like I belong. I won an award that year for most improved student. I learned to follow really well. —from a prose memoir by the author Praise for A REALLY GOOD BROWN GIRL: "No other book so exonerates us, elevates us and at the same time indicts Canada in language so eloquent it almost hurts to hear it."—Lee Maracle, from the Introduction About the Author Marilyn Dumont is the author of four collections of poems: A REALLY GOOD BROWN GIRL (winner of the 1997 Gerald Lampert Award), green girl dreams Mountains (winner of the Writer's Guild of Alberta's 2001 Stephan G. Stephansson Award), that tongued belonging (winner of the 2007 McNally Robinson Aboriginal Poetry Book of the Year and Aboriginal Book of the Year Award) and The Pemmican Eaters (published in 2015 by ECW Press). The original Brick Books edition of A REALLY GOOD BROWN GIRL was reprinted thirteen times, and selections from the book are widely anthologized in secondary and post-secondary texts. Marilyn has been Writer-in-Residence at the Edmonton Public Library and in numerous universities across Canada. In addition, she has been faculty at the Banff Centre for the Arts' Writing with Style and Wired Writing programs, as well as an advisor and mentor in their Indigenous Writers' Program. She serves as a board member on The Public Lending Rights Commission of Canada, and freelances for a living.
