Cine-Ethiopia: The History and Politics of Film in the Horn of Africa (African Humanities and the Arts)

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About Cine-Ethiopia: The History And Politics Of Film In

Product Description Over the past decade, Ethiopian films have come to dominate the screening schedules of the many cinemas in Ethiopia’s capital city of Addis Ababa, as well as other urban centers. Despite undergoing an unprecedented surge in production and popularity in Ethiopia and in the diaspora, this phenomenon has been broadly overlooked by African film and media scholars and Ethiopianists alike. This collection of essays and interviews on cinema in Ethiopia represents the first work of its kind and establishes a broad foundation for furthering research on this topic. Taking an interdisciplinary approach to the topic and bringing together contributions from both Ethiopian and international scholars, the collection offers new and alternative narratives for the development of screen media in Africa. The book’s relevance reaches far beyond its specific locale of Ethiopia as contributions focus on a broad range of topics—such as commercial and genre films, diaspora filmmaking, and the role of women in the film industry—while simultaneously discussing multiple forms of screen media, from satellite TV to “video films.” Bringing both historical and contemporary moments of cinema in Ethiopia into the critical frame offers alternative considerations for the already radically changing critical paradigm surrounding the understandings of African cinema.   Review “A magnificent collaborative contribution to African cinema and global cinema studies, involving scholars from both Ethiopia and beyond. At last we have a book exploring the richness of the cinemas and screen media of Ethiopia, Eritrea, and Somalia—cinemas that fully reveal the diversity and complexity of Africa itself.” — LINDIWE DOVEY, reader in Screen Arts and Industries, SOAS University of London, author of African Film and Literature: Adapting Violence to the Screen and Curating Africa in the Age of Film Festivals   About the Author MICHAEL W. THOMAS is a doctoral candidate at the Centre for Film Studies at the School of Oriental and African Studies, University of London. ALESSANDRO JEDLOWSKI is a Belgian Scientific Research Fund (F.R.S.-FNRS) postdoctoral fellow in Anthropology at the University of Liège, Belgium, and a former Marie Skłodowska-Curie actions research fellow. ABONEH ASHAGRIE is Associate Professor of Theatre Arts at Addis Ababa University.