We specialize in hard to find items
All Categories
*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
- Electrical items MAY be 110 volts.
- 7 Day Return Policy
- All products are genuine and original
About A Ma Zone
Product description Zap to the Future A Ma Zone is a collision of sound and culture Running the gamut from soul to hip hop to drum & bass, Marie Daulne's Zap Mama is expanding the perameters once again with their fourth album A Ma Zone. With the help of people like Philly's hip hop dissidents The Roots ("Rafiki", "Songe"), This Kid Named Miles ("Kemake") who was featured on T-Love's incredible Return of the B-Girl EP last year, Speech ("M'toto") and the oft-sampled Camaroonian Soul-Makossa sax man Manu Dibango ("Allo, Allo"). Zap Mama pulls off an amazing balancing act, riding the fine line between the deep roots of Afropea,the newest continent, and the technology of the future. A Ma Zone is Marie Daulne's full immersion into the music that kept her breakdancing through high school. Reuniting long lost sounds - West African guimbiri meets West Coast hip-hop scratching - and introducing them to the big city and village fire respectively. And because hip-hop and African music were both part of her childhood, Marie's fusion of zouk guitar montunos with raw breakbeats immediately makes sense. She always preferred listen ing to Stevie Wonder and Run DMC: "Our mother would make us learn the polyphonic singing, but at the time we thought it was boring because it was traditional." Instead, Marie honed her beautifully distinct vocal skills through imitation of the sultry voice of Roberta Flack and the lip-smacking beats of the Fat Boys' "Human Beat Box." A Ma Zone marks a lyrical shift for Marie, from politics to the social shortcomings of modern society with the emphasis being placed on the dehumanizing effects of modern communication. Marie explains: "Everybody's in such a hurry these days that everything has to be done by telephone or over the information superhighway." A Ma Zone offers listeners an alternative to life at 56k. Amazon.com On their fourth album, Zap Mama slide even further away from their early manifestation as a cappella group singing the traditional pygmy chants of West Africa--but this isn't necessarily a bad thing. Enlisting notable Philly hip-hop artists as well African pop star , Zap Mama blend the traditional singing for which they gained notoriety with the modern beats of drum & bass and hip-hop. The mix steams up a breathy, sensual brand of Euro-African-American pop. "Comment Ça Va?" swivels in and out of slow hip-hop beats; dark, twanging oudlike bass; and lead singer Marie Daulne's delicate vocals. "'Allo 'Allo" goes light on the sax and heavy on the hook, bringing a funky, playful edge to the collection. "Kemake" grooves understatedly with organ and a soulful, spinning vocal, demonstrating this group's diversified sound. The upbeat French Afro-hip-hop of Zap Mama are not: these women entice with a subtle, underground sound that's all their own. --Karen K. Hugg
