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The Annihilation Score (A Laundry Files Novel)

Product ID : 16851803


Galleon Product ID 16851803
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About The Annihilation Score

Product Description From the Hugo Award-winning author of The Rhesus Chart comes another supernatural case from The Laundry Files... Dominique O’Brien—her friends call her Mo—lives a curious double life with her husband, Bob Howard. To the average civilian, they’re boring middle-aged civil servants. But within the labyrinthine secret circles of Her Majesty’s Government, they’re operatives working for the nation’s occult security service known as the Laundry, charged with defending Britain against dark supernatural forces threatening humanity. Unfortunately, one of those supernatural threats has come between Mo and Bob. An antique violin, an Erich Zahn original, made of white human bone, was designed to produce music capable of slaughtering demons. Mo is the custodian of this unholy instrument. It invades her dreams and yearns for the blood of her colleagues—and her husband. And despite Mo’s proficiency as a world-class violinist, it cannot be controlled… Review “Charles Stross is awesome and his books are awesome and his Laundry Files series in particular is a hell of a lot of fun.”—John Scalzi, New York Times bestselling author of The End of All Things“Thumbs up for a smart and engaging novel that continues a very smart and engaging series. Highly recommended.”—Tor.com“A quirky, hysterical and cerebral thriller that is practically impossible to put down.”—CK2’s Kwips and Kritiques About the Author Charles Stross, born in 1964, is a full-time science fiction writer and resident of Edinburgh, Scotland. He is the author of seven Hugo-nominated novels, including Accelerando, Neptune’s Brood, Saturn’s Children and The Laundry Files series, and winner of three Hugo Awards for best novella. Stross has had his work translated into more than twelve languages. He has worked as a pharmacist, software developer, and tech-industry journalist. Excerpt. © Reprinted by permission. All rights reserved. ACKNOWLEDGMENTS PART 1 ORIGIN STORY 1. PROLOGUE: THE INCORRIGIBLES Please allow me to introduce myself . . . No. Strike that. Period stop backspace backspace bloody computer no stop that stop listening stop dictating end end oh I give up. Will you stop doing that? Starting all over again (typing this time: it’s slower, but dam speech recognition and auto-defect to Heckmondwike): *   *   * My husband is sometimes a bit slow on the uptake; you’d think that after ten years together he’d have realized that our relationship consisted of him, me, and a bone-white violin made for a Mad Scientist by a luthier-turned-necromancer. But no: the third party in our ménage à trois turns out to be a surprise to him after all these years, and he needs more time to think about it. Bending over backwards to give him the benefit of the doubt, this has only become an issue since my husband acquired the ability to see Lecter—that’s what I call my violin when I argue with him*—for what he is. (He. She. It. Whatever.) Bob is very unusual in having lately developed this ability: it marks him as a member of a privileged elite, the select club of occult practitioners who can recognize what they’re in the presence of and stand fast against it rather than fleeing screaming into the night. Like the Vampire Bitch from Human Resources, and what was she doing in the living room at five o’clock in the morning—? Issues. Vampires, violins, and marital miscommunications. I’m going off-topic again, aren’t I? Time out for tea! *   *   * Take three. Hello. My name is Mo; that’s short for Dominique O’Brien. I’m forty-three years old, married to a man who calls himself Bob Howard, aged thirty-eight and a quarter. We are currently separated while we try to sort things out—things including, but not limited to: my relationship with my violin, his relationship with the Vampire Bitch from Human Resources, and the End Of The World As We Know It (which is an ongoing work-related headache). This is my introduction to my work journal during OPERATION INCORRIGIBLE, and the p