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The Borscht Belt: Revisiting the Remains of America's Jewish Vacationland
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About The Borscht Belt: Revisiting The Remains Of
Product Description Today the Borscht Belt is recalled through the nostalgic lens of summer swims, Saturday night dances, and comedy performances. But its current state, like that of many other formerly glorious regions, is nothing like its earlier status. Forgotten about and exhausted, much of its structural environment has been left to decay. The Borscht Belt, which features essays by Stefan Kanfer and Jenna Weissman Joselit, presents Marisa Scheinfeld’s photographs of abandoned sites where resorts, hotels, and bungalow colonies once boomed in the Catskill Mountain region of upstate New York. The book assembles images Scheinfeld has shot inside and outside locations that once buzzed with life as year-round havens for generations of people. Some of the structures have been lying abandoned for periods ranging from four to twenty years, depending on the specific hotel or bungalow colony and the conditions under which it closed. Other sites have since been demolished or repurposed, making this book an even more significant documentation of a pivotal era in American Jewish history. The Borscht Belt presents a contemporary view of more than forty hotel and bungalow sites. From entire expanses of abandoned properties to small lots containing drained swimming pools, the remains of the Borscht Belt era now lie forgotten, overgrown, and vacant. In the absence of human activity, nature has reclaimed the sites, having encroached upon or completely overtaken them. Many of the interiors have been vandalized or marked by paintball players and graffiti artists. Each ruin lies radically altered by the elements and effects of time. Scheinfeld’s images record all of these developments. Review "In New York's Catskill Mountains a party began in the twentieth century that lasted decades. Party pictures filled thousands of scrapbooks―but now the party’s over and the guests are gone, never to return. Enter Marisa Scheinfeld, whose camera finds profound eloquence in the silence that remains and hope in new life emerging from the ruins. This story was already ancient when Shelley penned "Ozymandias": that all things grand eventually fall. But Scheinfeld’s work is all the more moving because these things are ours now." -- Alan Weisman ― Countdown and The World without Us "Photographer Marisa Scheinfeld has documented the end of the great resorts in The Borscht Belt: Revisiting the Remains of America's Jewish Vacationland, which features page after page of photos of waterless, cracking pools, dirt-caked floors, weathered and withered wooden cottages, gashed ceilings and gushing insulation, graffiti-bedecked walls, rows of bereft beach emptiness where there had once been fullness. Scheinfeld’s photos remind one of the old Catskills’ theme of nature despoiled, a contemporary counterpart to the desolate final painting in Cole’s The Course of Empire." -- Neal Gabler ― Jewish Review of Books "Those structures that haven't been repurposed as meditation centers or rehab facilities have fallen into that beguiling realm neither humanity nor nature can produce alone, with wild vegetation blurring, bending, and breaking the rigid geometries of civilization. The book notes Woody Allen's quip, no doubt delivered at some point from a Borscht Belt stage: 'Eighty percent of success is showing up.' Some might say that Scheinfeld arrived half a century too late, but her photos reveal that she showed up just in time to discover mutable beauty in tumbledown dreams." -- R. C. Baker ― Village Voice "All of the photographs in The Borscht Belt are remarkable, but I find myself agreeing with [essayist] Jenna Weissman Joselit that one thing they make clear is that 'Mother Nature has the last laugh' (25). Whether it is a tree growing through a bench, or the grass growing over what was once luxurious wall-to-wall carpet, or snowdrifts inside walls built to keep weather out, Scheinfeld's collection proves that in the end, nature will find a way. Where once there was
