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Witches and Pagans: Women in European Folk Religion, 700-1100 (Secret History of the Witches)
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About Witches And Pagans: Women In European Folk
Product description In this compelling exploration of language, archaeology, and early medieval literature, Max Dashu illuminates hidden cultural heritages. She shows that the old ethnic names for "witch" signify 'wisewoman, ' 'prophetess, ' 'diviner, ' 'chanter, ' 'herbalist, ' and 'healer.' She fleshes out the oracular ceremonies of the Norse völur ("staff-women"), their incantations and "sitting-out" on the land seeking vision. Archaeological finds of their ritual staffs show that many symbolize the distaff, a spinner's wand that connects with wider European themes of goddesses, fates, witches, and female power. They include Berthe Pédauque, also known as the "Swan-footed Queen," whose spinning began at the proverbial beginning of time. Veneration of the Fates persisted under many titles, as the Norns, sudice, fatas and fées, Wyrd or the Three Weird Sisters. Witches and Pagans looks at women's sacraments in early medieval Europe, a subject that has been buried deep for centuries. Women set out offering tables for the Three Sisters or the "good women," chanted over herbs, and healed children by passing them through 'elf-bores.' Spinning and weaving were ceremonial acts with divinatory or protective power, as bishops' scoldings reveal. Churchmen also railed against the Women Who Go by Night with Diana or Holda or Herodias, in shamanic flight on spirit animals. This was the foundational witch-legend that demonologists seized upon in later centuries. But witch persecution was already underway, as a chapter on the sexual politics of early medieval witch burnings documents. A thousand years ago, an Old English scribe condemned people who "bring their offerings to earth-fast stone and also to trees and to wellsprings, swa wiccan taecad--as the witches teach." This indicates that people still regarded witches as spiritual teachers, and that they performed ceremonies of reverence to Earth. Many aspects of ethnic spiritual culture survived the state conversions to Christianity: ancestor veneration, crystal balls, amulets--and witches' wands. Artists depicted Mother Earth giving her breast to serpents, animals, and children. Stories of ancestral women--the Cailleach and the Scandinavian dísir --were handed down over countless generations. Gathering together forgotten strands from heathen European heritages, Witches and Pagans reweaves the ripped webs of women's culture. Review "A monumental moment in women's history, as well as Pagan history, is upon us, with the release of Max Dashu's new book Witches and Pagans. Over 40 years; worth of research and effort created this book, and its companion volumes to follow. It's a landmark work, easily the most important new Pagan title of the year, if not the decade." --Yeshe Matthews, Mothers of New Time "Max Dashú writes with lucidity and a compelling awareness of the silencing of women in male-centered cultures--especially women's silencing in patriarchal religion. Max has spent decades excavating the exceptionally rich materials--linguistic, archaeological, mythological--found in this book, and uncovering clues to the spiritual spheres of pre-patriarchal women. A true tour de force!" -- Miriam Robbins Dexter, UCLA professor of Indo-European studies and author of Whence the Goddesses: a Source Book "Reading this book is like opening a box filled with jewels left to you by ancestors you never knew you had. Women preserved ancient mysteries that celebrated female powers of creativity as they went about the tasks of their daily lives. It was not so easy to stamp these practices out, because women understood their songs and rituals to be essential for the continued flourishing of life... Brilliant work. May it change the way we see the world!" --Carol Christ, author of Goddess and God in the World: Conversations in Embodied Theology "Dashu has done her homework, and has unearthed, uncovered and rediscovered a remarkable amount of information pertaining to women's roles in folk religion, magic, witchcraft, healing and seership during the medieval era. ... ... This book is unlike any book by a Neopagan author on these particular topics that I have seen (other than perhaps Ronald Hutton), in its scope, the breadth of materials presented, and in providing access to an incredible amount of unusual sources of historical materials that would be of great interest to modern pagans, witches, seers and herbwives. ... I have rarely, if ever, seen a book on these topics that went so far into the traditions, explored them so widely and deeply, and provided a truly unique window into our spiritual past with such care and intelligence. Well-written, and a one-of-a-kind resource... a treasure trove... highly recommended." --Sharon Paice MacLeod, Sagewomen Journal "The book is amazing; I am so impressed with the amount of scholarship you have sloughed through, and how hard it must have been to put all this together. All kudos to you, Max for the gifts of research and knowledge and vision." Gloria Orenstein, Professor Emerita of Comparative Literature and Gender Studies, University of Southern California "Such a beautiful and academic read. Margin note taking and really absorbing the ethnohistorical references. Max Dashu, brava! Cannot wait for the next volume!!!" --Mercedes Draffin "It's such a beautiful book, a work of art, so well done. An immense contribution." --Gilby Farnsworth "I've been looking forward to the release of Witches and Pagans: Women in European Folk Religion by Max Dashu; this promises to be an important addition to the field, as it reweaves women's roles back into history." --Jhenah Telyndru August 2, 2016 "I have a huge amount of respect and admiration for your work. Witches and Pagans is a treasure-trove of of suppressed and lost information, lost no more thanks to you! -- Mary Mackey, author of The Year the Horses Came and the Earthsong Trilogy About the Author Max Dashu founded the Suppressed Histories Archives in 1970 to research and document global women's history, across the full spectrum of the world's peoples. She has built a collection of 40,000 slides and digital images, from which she has created 130 slideshows on female cultural heritages, including Indigenous traditions and with attention to the patterns of conquest. Dashu has been presenting her visual talks for 44 years, at universities, conferences, museums, community centers, bookstores, galleries, libraries and schools, in North America, Italy, Belgium, Germany, Ireland, Britain, the Netherlands, Switzerland, Austria, Bulgaria, Australia, Mexico and Guatemala. Her legendary slideshows bring to light female realities usually hidden from view, from ancient female figurines to women leaders, priestesses, clan mothers, philosophers, warriors and rebels. Her use of images to teach, scanning the cultural record-archaeology, history, art, orature, linguistics, and spiritual philosophies-makes this knowledge more accessible and bridges the gap between academia and grassroots education. Her daily posts on the Suppressed Histories Facebook page are followed by over 156,000 people, and some 40,000 more have viewed her articles on Academia.edu. She also teaches via webcasts and online courses. Dashu is internationally known for her expertise on ancient female iconography and female spheres of power; matricultures and patriarchal systems, medicine women, shamans and witches, and witch hunting. Her visual talks include titles such as The Cosmic Weaver; Dangerous Women: They Fight Back; Mother-Right; Rebel Shamans: Women Confront Empire; Ancient Treasures of African Women; Magna Mater and Isis of 10,000 Names: Syncretism under the Roman Empire; Deasophy; The Distaff: Goddess, Fates, and Women's Power; Racism, History and Lies; Taming the Female Body; Amazons and Women Warriors; Grandmother Stones of Megalithic Europe; Medicine Women of the Americas, and The Wu: female shamans of ancient China. Max Dashu has keynoted at many conferences: Feminism in London (2015); Women's Voices for a Change at Skidmore, NY (2013); Association for the Study of Women and Mythology conference, Bangor PA (2010); the Pagan Studies Conference at Claremont Graduate University, CA (2008); Coalition for Battered Women conference at Rutgers NJ (2005); and the Institute of Archaeomythology conference in Rila, Bulgaria (2004), among others. She has presented at the Women's Centers of Northwestern University, Stanford, Princeton, University of California at Berkeley and many others, and at Trinity College in Dublin, the Museo de San Miguel de Allende, the Frauenmuseum (Wiesbaden), and the State Library of Queensland.
