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The music of singer-songwriter Joseph Arthur owes a lot to both country folk-rock outsider Joe Henry and the late Jeff Buckley. Combining the whimsical studio experimentation of the former and the blistering emotion of the latter, Arthur's Come to Where I'm From may confuse on first listen but engrosses with each successive spin. He is able to stretch out his voice into moody, ominous tones, or let it soar out over indigenously tinged oceans of sound ("Invisible Hands" and "Ashes Everywhere" demonstrate his two extremes). The strongest cut, "Tattoo," is the most telling; in the hands of someone with a penchant for high melodrama, this gorgeous gem easily could have fallen like a lead balloon. Arthur instead weaves his voice around the churning acoustic guitar and waltzing bass line to achieve a slice of transcendent bliss. --Jason Josephes