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Open Sesame

Product ID : 27050414


Galleon Product ID 27050414
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About Open Sesame

Product Description Freddie Hubbard was one of the greatest jazz trumpeters of all time. Open Sesame was his first album as a leader and this 1960 set finds the 22-year old already sounding like he was a poll winner. Hubbard had emerged from Indianapolis just two years before and, despite a few brief high-profile gigs, including with Sonny Rollins, J. J. Johnson and the Quincy Jones Orchestra, he was at the beginning of it all when he recorded Open Sesame. No matter, he sounds like a seasoned pro, taking explosive solos on up-tempo pieces, showing warmth and maturity on ballads and displaying a beautiful tone and an adventurous style throughout. Imagine being 22 and playing so brilliantly while McCoy Tyner is accompanying your solos. Always a courageous and a dramatic soloist, Freddie Hubbard shows with his fearless and fiery playing that he was already ready to conquer the jazz world in 1960. The definitive versions of Blue Note are on XRCD24 - the optimization of CD mastering and manufacturing. Plays on all standard CD players. Review All three of these recordings (the others being Dexter Gordon's Doin' Allright and Jackie McLean's Bluesnik) offer state-of-the-art digital sound. The use of the XRCD24 process takes them to the very heights of Red Book CD's capabilities. The drums have snap, the cymbals shimmer, and the bass deep and woody resonance. The piano, not engineer Rudy Van Gelder's strong point, displays realistic percussion - the hammer-hitting-the-string sound of the real thing. The horns have both brassy bite and, in the case of the saxophones, a reedy quality. There is enough space and detail to satisfy even the most persnickety listeners. If you love Blue Note jazz but not the sound of Blue Note's RVG CD reissues (you're not alone), these discs - along with all of the others in Audio Wave's growing series - will let you realize everything that Blue Note had to offer musically and sonically. --John Crossett, The Audio Beat, January 25. 2011