Signal To Noise: Reinforced Industrial Hits

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About Signal To Noise: Reinforced Industrial Hits

Product Description - Supercharged versions of industrial rock's best known tracks, performed by industrial legends and upcoming new acts! - Features covers of NIN's "Closer," Marilyn Manson's "The Beautiful People," Ministry's "Just One Fix," White Zombie's "More Human Than Human," AphexTwin's "Come To Daddy" and many more! - Includes performances by Ogre (Skinny Puppy), Pig, Apoptygma Berzerk, Razed In Black (with Thomas Thorn of The Electric Hellfire Club), Spahn Ranch and newcommers The Shizit and Aliester Einstein! - 6 exclusive, never before released tracks! Review Supercharged versions of industrial rock s best known tracks, performed by industrial legends and upcoming new acts! Features covers of NIN s Closer, Marilyn Manson s The Beautiful People, Ministry s Just One Fix, White Zombie s More Human Than Human, AphexTwin s Come To Daddy and many more! Includes performances by Ogre (Skinny Puppy), Pig, Apoptygma Berzerk, Razed In Black (with Thomas Thorn of The Electric Hellfire Club), Spahn Ranch and newcommers The Shizit and Aliester Einstein! 6 exclusive, never before released tracks! I think we can all agree that, when American pop culture collapses into a pile of ruinous debris, historians will mark the beginning of the end as the proliferation of oblivious, mainstream radio listeners subconsciously lip-syncing along with Trent Reznor s tortured tribute to violent, animal-like sex, even if the most offending word was blanked out. It s always a little surprising and, for some, rather disheartening, when a musical genre which stands in such direct opposition to mainstream music, actually manages to achieve commercial success. Some would argue that acts like White Zombie and Marilyn Manson pilfered a relatively pure genre and corrupted it with pop sensibilities. Others would say every musician is doing the same...Trent, Rob and Mr. Warner, et al, just happened to succeed at it. Signal To Noise is a compilation about bringing these overground hits back into the underground by stripping the songs to their blackened industrial core. It is both a celebration and a desecration, an effigy and a mockery. This is not the beginning of the end but the end of the beginning ...American pop culture will never be the same again. --Cleopatra Records