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About Dirty Vegas
Amazon.com Not exactly dance-pop as commonly defined by Erasure or the Pet Shop Boys, Dirty Vegas's self-titled album nonetheless fits into the genre. In fact, "trace-pop" is arguably the best definition, as it is the likely offspring of Madonna's Ray of Light and Electronic's seminal debut CD. Promising, yes, but the songs become rather indistinguishable from one another, mainly because the vocals--compressed and folky--lend a sameness to tracks that are otherwise diverse in tone and pace. About half the album really shines. "I Should Know" marries a thumping techno beat with a euphoric Disney-like wonderment. "7AM" boasts the best melody on the album. The instrumental "The Brazilian" showcases the song's strength underneath the homogenizing vocals. And finally, "Days Go By," featured in a popular car commercial, mesmerizes with synthesized bongos and cosmic rhythmic brush strokes. --Beth Massa Product description Dirty Vegas ~ Dirty Vegas Review Realize it or not, but you and most of mainstream American society are already intimately aware of UK trio Dirty Vegas. Thanks to the increasingly interesting world of car commercials mining the best of left-field electronic music for their soundtracks, we now have the world's first band to debut as part of a Mitsubishi campaign. Their electro-heavy "Days Gone By" will instantly invoke images of that hot brunette in the sexy cap dancing her cute little butt off, pop-lock style, from the heavily rotated advert (apologies to those with better things to do than watch TV). So when track 4 rolls around, prepare for anyone within earshot to ask, "What is this song?" Marketers around the world simultaneously weep with joy. For the most part, Dirty Vegas play up the notoriety by not straying too far from the template set by "Days Gone By," with dance-intensive tracks like "Throwing Shapes," sharing the Mitsubishi song's thick psychedelic undertones, gurgling electro bass tones and slightly treated vocals of Steve Smith. Still, these fellows have their eyes set on more than just the dance floor, as they delve into straight pop-rock songwriting on numbers like "All or Nothing" (think an album track from mid-period Genesis. If you can't, your dad might have some in the den) and an acoustic version of "Days Gone By." From there the album kicks into cruise control, riding the easy-listening thump of "Alive" and the higher BPMs of "7am." So you want to go for a ride? Timothy Brown -- From URB Magazine
