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Third
Third
Third
Third
Third
Third
Third

Third

Product ID : 2263831


Galleon Product ID 2263831
UPC / ISBN 602517664005
Shipping Weight 0.18 lbs
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Model 3868071
Manufacturer Island
Shipping Dimension 5.55 x 4.96 x 0.55 inches
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About Third

Amazon.com Portishead's Third has been a long time coming, the result of a lengthy creative torpor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. "Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy gestation. --Louis Pattison Product Description Their first studio album in 10 years, THIRD is the hugely anticipated 2008 release from the UK Electronic outfit Portishead. It's been ten long years since PNYC and the wait is over. Contains 11 tracks include the first hit single "Machine Gun." About the Artist Portishead are a band from Bristol, England, named after the nearby town of the same name, 12 miles (19 km) west of Bristol. History The band was formed in Bristol, UK in 1991, by Geoff Barrow, Beth Gibbons and Adrian Utley. After releasing a short film (To Kill a Dead Man) and its accompanying music, Portishead signed a record deal with Go! Beat Records. Dummy (1994) Portishead's first album, Dummy, was released in 1994 and the first single was 'Numb'. In spite of the band's aversion to press coverage, the album was successful in both Europe and the United States (where it sold more than 150,000 copies even before the band toured there). Dummy spawned two hit singles, "Glory Box" and "Sour Times", and went on to win the prestigious Mercury Music Prize in 1995. Portishead (1997) After their initial success, Portishead withdrew from the spotlight for three years until their second album, Portishead, was released in 1997. The album's sound differed from Dummy, the main differences being that much of the music was composed and played by the band, not sampled from records, and had a grainy, harsher sound. Three singles, "Cowboys", "Over" and "All Mine" were released, the latter achieving a Top 10 placing in the UK. Roseland NYC Live (1998) In 1997, the band performed a one-off show with strings at the New York Philharmonic orchestra at Roseland Ballroom in New York. A live album primarily featuring these new orchestral arrangements of the group's songs was released in 1998. There was also a long-form VHS video of the performance, and a DVD followed in 2002, with substantial extra material including many early videos. Hiatus (1999-2007) For the next few years, the band members concentrated on solo and other pursuits, until in February 2005, the band appeared live for the first time in seven years at the Tsunami Benefit Concert in Bristol. Around that time Barrow revealed that the band was in the process of writing its third album. In August 2006, the band posted two new tracks on its MySpace page--described by Barrow as "doodles". Around the same time, Portishead covered Serge Gainsbourg's "Un Jour Comme un Autre (Requiem for Anna)" on the tribute album Monsieur Gainsbourg Revisited. Return On October 2, 2007, Portishead stated that the new album, titled Third, had been mixed and was nearly complete, and was due for release in April 2008. On December 7-9, 2007, the band curated the All Tomorrow's