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Great Expectations: (Penguin Classics Deluxe Edition)
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Product Description A newly repackaged edition of Dickens’s classic coming-of-age tale, with an introduction, contextual essays, a map, and suggestions for further exploration by Victorian scholar Tanya Agathocleous. A terrifying encounter with an escaped convict in a graveyard on the wild Kent marshes; a summons to meet the bitter, decaying Miss Havisham and her beautiful, cold-hearted ward Estella; the sudden generosity of a mysterious benefactor-these form a series of events that change the orphan Pip's life forever, as he eagerly abandons his humble origins to begin a new life as a gentleman. Dickens's haunting novel depicts Pip's education and development through adversity as he discovers the true nature of his great expectations. Published nine years before Dickens's death, it remains one of his most celebrated works. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Review "No story in the first person was ever better told." About the Author Charles Dickens (1812-1870), one of the most important contributors to the canon of English literature, wrote such classics as Oliver Twist, A Christmas Carol, and David Copperfield. Tanya Agathocleous is an associate professor of English at Hunter College and the Graduate Center, CUNY, where she teaches classes on Victorian literature and on colonial and postcolonial studies. She is the author of Urban Realism and the Cosmopolitan Imagination in the Nineteenth Century (2011), a Broadview edition of Joseph Conrad’s The Secret Agent, a young-adult biography of George Orwell, and several academic articles on a range of nineteenth-century literary topics. She has also written for Public Books and Los Angeles Review of Books. She is currently the vice president of the North American Victorian Studies Association. Excerpt. © Reprinted by permission. All rights reserved. Chapter I. My father's family name being Pirrip, and my christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip. I give Pirrip as my father's family name, on the authority of his tombstone and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine – who gave up trying to get a living exceedingly early in that universal struggle – I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence. Ours was the marsh country, down by the river, within as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip
