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Product Description Amy Dorrit’s father is not very good with money. She was born in the Marshalsea debtors’ prison and has lived there with her family for all of her twenty-two years, only leaving during the day to work as a seamstress for the forbidding Mrs. Clennam. But Amy’s fortunes are about to change: the arrival of Mrs. Clennam’s son Arthur, back from working in China, heralds the beginning of stunning revelations not just about Amy but also about Arthur himself.Of the complex, richly rewarding masterworks he wrote in the last decade of his life, Little Dorrit is the book in which Charles Dickens most fully unleashed his indignation at the fallen state of mid-Victorian society. Crammed with persons and incidents in whose recreation nothing is accidental or spurious, containing, in its picture of the Circumlocution Office, the most witheringly exact satire of a bureaucracy we possess, Little Dorrit is a stunning example of how thoroughly Dickens could put his flair for the theatrical and his comic genius the service of his passion for justice.(Book Jacket Status: Not Jacketed) Review “One of the most significant works of the nineteenth century.”— Lionel Trilling From the Inside Flap Of the complex, richly rewarding masterworks he wrote in the last decade of his life, Little Dorrit is the book in which Charles Dickens most fully unleashed his indignation at the fallen state of mid-Victorian society. Crammed with persons and incidents in whose recreation nothing is accidental or spurious, containing, in its picture of the Circumlocution Office, the most witheringly exact satire of a bureaucracy we possess, Little Dorrit is a stunning example of how thoroughly Dickens could put his flair for the theatrical and his comic genius the service of his passion for justice. From the Back Cover The book in which Charles Dickens most fully unleashed his indignation at the fallen state of mid-Victorian society. Crammed with persons and incidents in whose recreation nothing is accidental or spurious, containing, in its picture of the Circumlocution Office, the most witheringly exact satire of a bureaucracy we possess. About the Author Irving Howe is Distinguished Professor Emeritus at the Graduate Center of the City of New York and co-editor of Dissent magazine. His many publications include Thomas Hardy, Politics and the Novel, Culture and Politics in the Age of Emerson, and Socialism and America. His Selected Writings appeared in 1990. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1: Sun and Shadow Thirty years ago, Marseilles lay burning in the sun, one day. A blazing sun upon a fierce August day was no greater rarity in southern France then, than at any other time, before or since. Every thing in Marseilles, and about Marseilles, had stared at the fervid sky, and been stared at in return, until a staring habit had become universal there. Strangers were stared out of countenance by staring white houses, staring white walls, staring white streets, staring tracts of arid road, staring hills from which verdure was burnt away. The only things to be seen not fixedly staring and glaring were the vines drooping under their load of grapes. These did occasionally wink a little, as the hot air barely moved their faint leaves. There was no wind to make a ripple on the foul water within the harbor, or on the beautiful sea without. The line of demarcation between the two colors, black and blue, showed the point which the pure sea would not pass; but it lay as quiet as the abominable pool, with which it never mixed. Boats without awnings were too hot to touch; ships blistered at their moorings; the stones of the quays had not cooled, night or day, for months. Hindoos, Russians, Chinese, Spaniards, Portuguese, Englishmen, Frenchmen, Genoese, Neapolitans, Venetians, Greeks, Turks, descendants from all the builders of Babel, come to trade at Marseilles, sought the shade alike—taking refuge in any hiding-pl