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Waking Up in Eden: In Pursuit Of An Impassioned Life On An Imperiled Island
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About Waking Up In Eden: In Pursuit Of An Impassioned
Product Description Like so many of us, Lucinda Fleeson wanted to escape what had become a routine life. So, she quit her big-city job, sold her suburban house, and moved halfway across the world to the island of Kauai to work at the National Tropical Botanical Garden. Imagine a one-hundred-acre garden estate nestled amid ocean cliffs, rain forests, and secluded coves. Exotic and beautiful, yes, but as Fleeson awakens to this sensual world, exploring the island's food, beaches, and history, she encounters an endangered paradise―the Hawaii we don't see in the tourist brochures. Native plants are dying at an astonishing rate―Hawaii is called the Extinction Capital of the World―and invasive species (plants, animals, and humans) have imperiled this Garden of Eden. Fleeson accompanies a plant hunter into the rain forest to find the last of a dying species, descends into limestone caves with a paleontologist who deconstructs island history through fossil life, and shadows a botanical pioneer who propagates rare seeds, hoping to reclaim the landscape. Her grown-up adventure is a reminder of the value of choosing passion over security, individuality over convention, and the pressing need to protect the earth. And as she witnesses the island's plant renewal efforts, she sees her own life blossom again. From Publishers Weekly An admitted news junkie, journalist Fleeson imagined she would die in the Philadelphia Inquirer's newsroom with a half-written story in her computer. But as the newspaper business began its cataclysmic shift in the late 1990s, she started to feel stymied and leapt at a fund-raising job with Hawaii's National Tropical Botanical Garden. Arriving on the island of Kauai, she discovered that Hawaii's native plants were becoming extinct at an alarming rate, with two-thirds in danger of disappearing by the end of the current century. Fleeson delves into conservation efforts—the history of the garden's benefactors, two gay men with a passion for exotic plants and even more salacious parties during the years after WWII. She spotlights a full-time bartender who attempts to cultivate rare plants with basic greenhouse equipment. Finally, she shadows Kauai's own Orchid Thief: the Robin Hood of Hawaii known for picking endangered plants in national forests and turning them into prized specimens on his own preserve. An artful and lively tale of flora and fauna illustrates their complexities and serves as a reminder of the need to nurture both. (July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist Fleeson could see the handwriting on the wall: big changes were coming to the metro newspaper where she’d worked hard to build a solid career, and it seemed wise to get out while the getting was good. Fleeing to Kauai to become the chief fund-raiser for the beleaguered National Tropical Botanic Garden, she found herself plunked down in the middle of paradise, which turned out to be not quite the utopian sanctuary one would imagine. Her boss was a mercurial whirling dervish of ego and ambition, her accommodations were rustic and remote, and the island’s fragile habitat was more threatened than she ever imagined. Confronted with overwhelming evidence of the alarming rate of plant extinction caused by nonnative species invading Kauai, Fleeson becomes a tireless champion of its salvation. As she delves deep into the island’s history and ventures far into its delicate ecosystem, Fleeson undertakes her own personal and professional salvation, a spirited and daring pilgrimage that is both revelatory and enlightening. --Carol Haggas Review "Fleeson’s descriptive talents come to the fore as she summons the pungent dilapidation of her surroundings and the drama of the landscape . . . A surviving-middle-age story that artfully blends the intriguing world of natural science with the theater of human foibles."―Kirkus Reviews About the Author Lucinda Fleeson is dire
