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Into Thin Air: A Personal Account of the Mt. Everest Disaster

Product ID : 46588697


Galleon Product ID 46588697
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About Into Thin Air: A Personal Account Of The

Product Description Into Thin Air is the definitive, personal account of the deadliest season in the history of Mount Everest--told by acclaimed journalist, and bestselling author of Into the Wild and Eiger Dreams, Jon Krakauer.  On assignment for Outside magazine, Krakauer, an accomplished climber, went to the Himalayas to report on the growing commercialization of the planet's highest mountain.  Even though one climber in four dies attempting to reach the summit of Everest, business is booming as guides take the rich and the adventurous up the mountain for a fee of $65,000.  Krakauer examines what it is about Everest that has compelled so many people--including himself--to throw caution to the wind and willingly subject themselves to so much danger, hardship, and expense. Review "Into Thin Air ranks among the great adventure books of all time . . . a book of rare eloquence and power that could remain relevant for centuries." --Galen Rowell, The Wall Street Journal From the Hardcover edition. From the Inside Flap Into Thin Air is the definitive, personal account of the deadliest season in the history of Mount Everest--told by acclaimed journalist, and bestselling author of Into the Wild and Eiger Dreams, Jon Krakauer.  On assignment for Outside magazine, Krakauer, an accomplished climber, went to the Himalayas to report on the growing commercialization of the planet's highest mountain.  Even though one climber in four dies attempting to reach the summit of Everest, business is booming as guides take the rich and the adventurous up the mountain for a fee of $65,000.  Krakauer examines what it is about Everest that has compelled so many people--including himself--to throw caution to the wind and willingly subject themselves to so much danger, hardship, and expense. About the Author Jon Krakauer is a part-time mountaineer and a full-time writer. He is a contributing editor at Outside magazine and writes for many national magazines and newspapers. He lives in Seattle, Washington. From the Paperback edition. Excerpt. © Reprinted by permission. All rights reserved. In March 1996, Outside Magazine sent me to Nepal to participate in, and write about, a guided ascent of Mount Everest. I went as one of eight clients on an expedition led by a well-known guide from New Zealand named Rob Hall. On May 10 I arrived on top of the mountain, but the summit came at a terrible cost. Among my five teammates who reached the top, four, including Hall, perished in a rogue storm that blew in without warning while we were still high on the peak. By the time I'd descended to Base Camp nine climbers from four expeditions were dead, and three more lives would be lost before the month was out. The expedition left me badly shaken, and the article was difficult to write. Nevertheless, five weeks after I returned from Nepal I delivered a manuscript to Outside, and it was published in the September issue of the magazine. Upon its completion I attempted to put Everest out of my mind and get on with my life, but that turned out to be impossible. Through a fog of messy emotions, I continued trying to make sense of what had happened up there, and I obsessively mulled the circumstances of my companions' deaths. The Outside piece was as accurate as I could make it under the circumstances, but my deadline had been unforgiving, the sequence of events had been frustratingly complex, and the memories of the survivors had been badly distorted by exhaustion, oxygen depletion, and shock. At one point during my research I asked three other people to recount an incident all four of us had witnessed high on the mountain, and one of us could agree on such crucial facts as the time, what had been said, or even who had been present. Within days after the Outside article went to press, I discovered that a few of the details I'd reported were in error. Most were minor inaccuracies of the sort that inevitably creep into works of deadline journalism, but